The town portrayed in the Sundance premiere of The Killing of Two Lovers is so small that David, who is staying at his father’s home while he and Nikki try to figure out if their marriage is salvageable, easily can see everything going on in the lives of his wife and four kids in the home just down the street.
Directed by Robert Machoian, a photography program faculty member at Brigham Young University in Provo, this feature-length narrative offers a superbly crafted, beautifully filmed story about how the difficulties of asking for space to sort things out in a marriage are magnified enormously in a town as small as the one the director chose for the film’s production.
Selected for the festival’s NEXT category, the film shines in performances that capture the simmering tensions and spoken words that could derail any good faith intention of reconciling problems in a marriage. And, Machoian – with an impressive, understated, elegant choice of mise-en-scène – gives the viewer the utter irony of the notion of asking for space in a small central Utah town set against an impressive mountain range (although there is no card title specifying the location). The film was supported by the Utah Film Commission.
Read the full story by Les Roka at theutahreview.com.