Diane Reich headshot

Diane Reich | Department of Music

Schooled by Performance: Tales of an Opera Diva


Diane Thueson Reich, soprano, is a Professor of Voice at Brigham Young University where she serves as Division Coordinator for Classical Voice, and also teaches Vocal Literature and Supervised Teaching courses. She has previously taught and been the Director of Opera at Central Washington University. She has earned doctoral and master’s degrees from Indiana University. At home in the concert hall or opera stage she has appeared in major operatic roles such as Marguerite in Faust, Anne Trulove in The Rake’s Progress, the title role in Strauss’ Arabella, Nanetta in Falstaff, Rosina in The Ghosts of Versailles, Mimì in La Bohème, Pamina in Die Zauberflöte, Valenncienne in The Merry Widow, and Antonia in The Tales of Hoffman. Diane has performed with professional opera and theater companies, including the Utah Festival Opera Company, Opera West, Indiana University Opera Theater, Utah Lyric Opera, Lyric Theatre of Oklahoma City, and River City Players. She created the role of Rosamond in the world premiere of Michael Valenti’s opera, Beau Nash, performed with Portland Chamber Orchestra.

Diane has been a guest artist with Icicle Creek Music Festival, Third Angle Ensemble in Portland, OR; and also appeared with the Yakima and Walla Walla Symphonies, the Indianapolis Symphony, the Utah Chamber Orchestra, Indiana University Philharmonic, and Indiana State and Utah State University orchestras, as well as soloing in the northwest premiere of George Crumb’s Star Child in Seattle’s Benaroya Hall. Diane was a featured soloist with Vietnam National Opera and Ballet Company in Hanoi, a guest soloist with the St. Petersburg Chamber Philharmonic in Russia, and has sung several concerts throughout Vietnam and China. She has been an Artist-in-Residence at the Conservatorio Statale di Musica in Pescara, Italy, and the National University of Arts Education in Hanoi, Vietnam. Diane is a multiple Metropolitan Opera Audition winner in both the Utah and Indiana Districts, and won first place in the Vera Scammon International S.O.S. Voice Competition. She has been the recipient of numerous scholarship and academic awards as well. Diane’s research endeavors have led her to be a leading authority on the vocal music of contemporary composer Henry Mollicone. Reich students have gone on to prestigious graduate programs such as Indiana University, University of Houston, Arizona State University, Cleveland Institute of Music, and University of Missouri-Kansas City. Students have also been accepted to participate in training programs throughout the world.

Faith + Works Lecture Series | Diane Reich

The Perfect(able) Body

December 6, 2018 Lecture

“Be Ye Therefore Perfect” is a commandment that weighs heavily on the minds of BYU students and can become overwhelming when in the context of where we are now and where we are trying to go. Theatre professor Megan Sanborn Jones suggested that the weight we feel is manifested in very real ways through our bodies.

Members of the Church of Jesus Christ of Latter-Day Saints have a unique view within Christianity that the body is not something corrupt that has to be overcome, but rather a tool given by God to be a support to the spirit. Jones said, “Bodies are a gift; honoring and respecting the body is key to the plan of salvation and a key to becoming perfect. We have a body and a spirit equally powerful and equally divine.”


To see other lectures from this series, visit the Faith + Works Lecture Series home page.