BYU artists take on the Inktober challenge by doing one ink drawing a day for the entire month of October

Communication Arts recognizes the MODE 2017 opening titles, a video by Brent Barson that highlights the technological and stylistic capacity of modern motion design. The Design Annual issue of Communication Arts magazine recognizes the best in visual art across many industries. Though Department of Design Professor Brent Barson has been featured before, he’s happy to be recognized by the publication once again. “It feels really good,” Barson said. “It is tough to get into, there are around 4,000 entrants. It’s very gratifying, makes the effort worth it.” Communication Arts honored Barson for his work on the MODE Conference 2017 opening titles video. MODE, or Motion Design Education, commissioned Barson’s work. MODE has regularly scheduled conventions and continues to “encourage, share and help motion design by providing a platform for research pedagogy,” as stated by the organization’s website. Though the organization was originally founded by three motion design educators, it has since quadrupled in size, with Barson being among the professors who have joined on. “I attended the second MODE they ever had and I asked to get involved, so I was one of the six founding members for the third,” Barson said. “It’s really exciting to see it growing.” The video has a distinct aesthetic. Though the colors were decided by the conference’s color scheme, the rest of the video is almost entirely the product of Barson (the music was done by Micah Dahl Anderson). “The project was born of my academic leave from BYU,” Barson said. “It was a deep dive into this 3D software, Octane Render. What was exciting about it to me is that it can render completely photorealistic scenes. I thought, 'That’s an interesting idea, to create reality while also filming surreality.'” A frame from Barson’s MODE 2017 opening titles.

BYU students have set up an online information hub, organizing the flood of information on two major wildfires that have chased more than 6,000 Utah residents from their homes in recent days. Less than 24 hours after its creation, the Utah County Fire Relief Website had received more than 15,000 visitors. That’s about one new visitor every second. Y Digital Agency Manager Adam Durfee teamed up with BYU students and local volunteers to build a central hub for real-time updates on the Pole Creek and Bald Mountain fires burning just outside Spanish Fork, Utah. Finish reading 'New Y Digital website streamlines Utah wildfire information' at universe.byu.edu.

BYU students, alumni, faculty and UTA personnel cooperate to create raised awareness of Utah’s air pollution situation through dance.

BYU Music Student Catherine Boyack Wins Top National Award for Flutists Under 30

https://www.youtube.com/watch?v=PLZJf7P-T4o&feature=youtu.be When Keely Song moved to Utah in 2016, she was jarred by what she called the “apocalyptic” talk about air quality during the state’s notorious inversions. So when BYU announced in November it would be providing free UTA passes to students, employees and their families, the dance professor had an idea. “I wanted to create a work that motivated people — including myself, who commutes from Salt Lake City — to use public transit, while being educational and entertaining,” she said. “I didn’t understand how hazardous the air quality is on a red day, and that by limiting our emissions through carpooling, using public transit or not driving at all, we could actually greatly improve the air quality.” Continue reading on news.byu.edu.

When Keely Song moved to Utah in 2016, she was jarred by what she called the “apocalyptic” talk about air quality during the state’s notorious inversions. So when BYU announced in November it would be providing free UTA passes to students, employees and their families, the dance professor had an idea.

https://vimeo.com/160677585 Years ago Daniel, a former pre-med student and social worker, visited a friend in Moab, Utah. He decided to stay, committed to life without the use of money, and for a time took shelter in a cave. His thoughts on home: “Wherever we are, that’s who we are. That’s home.” Xong moved to Wisconsin as a child Hmong refugee after the Vietnam War. In the years that followed she experienced “a lot of racism, a lot of discrimination” there, but as an adult is determined to help her local Hmong community cope with trauma and rebuild and embrace their identity. Clay left his Tennessee home after his son’s suicide and found meaning in helping the people in his Nevada trailer park. “Nevada is my home now,” he said, “and it’s gonna be my home until Nevada kicks me out.” Daniel, Xong and Clay are three of the people featured in Brad Barber’s new short-documentary series, “States of America.” For the series, the Emmy-nominated theatre and media arts professor is featuring one person from every state in 50 four- to five-minute films. He launched the series online a year ago and has been releasing one documentary per month since. The short films “provide an opportunity to listen to and understand lots of different types of Americans in diverse corners of our country,” said Barber, who was named one of Variety’s 10 Documakers to Watch in 2015. “At a time where we are increasingly divided, this kind of empathic experience feels more urgent now than ever.” Read more about the TMA professor's project at news.byu.edu.

Update (July 1, 2020)

Megan Arné and Joselyn Torbenson explored what it means to be an artist while collaborating in Kirsi Mikkola’s studio

Five faculty members were recognized, two with university awards and three with college awards.

Former music dance theatre student Libby Lloyd is spending her summer training with high profile musical theatre professionals at the St. George venue. Libby Lloyd spent months practicing her lines on her own. As an understudy, she hoped to have the opportunity to perform in the role, but never knew when or if that would happen. Then one afternoon she got the call saying she would have to perform that night as Ella in “Cinderella.” Throughout the performance, Lloyd said it was difficult not to get caught up in the emotion and excitement of playing the main role in the show. Instead her job was to “throw emotion out the window and show up and do the work.” However, once she took her bow Lloyd said she finally let herself feel the emotion of the performance. “The whole night was so magical,” said Lloyd. “It was so rewarding knowing I had put in the work of learning and rehearsing on my own and that I was able to keep the show rolling. As I walked down the giant staircase in a beautiful dress at the end of the night, I could finally allow myself to feel the emotion and beauty of the role and reflect on what I had done.” “Cinderella” is one of three plays Lloyd has performed in during her time as a cast member for the Tuacahn Center for the Arts. Lloyd auditioned to be a professional performer for Tuacahn during her last semester at BYU. She had two nights of callbacks, then it was a waiting game. Lloyd was overjoyed when she was asked to be a part of the summer season. “I’m from Utah and I had gone to a couple shows growing up. I knew they had a really good reputation,” said Lloyd. In addition to Cinderella, Lloyd also performs in “The Prince of Egypt” and “Matilda.” Tuacahn is the third venue to ever perform “The Prince of Egypt,” which premiered in Mountain View, California in 2017. The cast was able to work with the show’s composer Stephen Schwartz, an industry legend who composed classics like “Wicked” and wrote the original songs for the DreamWorks movie the musical is based on. “Schwartz was there in our rehearsals helping the musical be everything he intended and imagined it to be,” said Lloyd. Lloyd remembers one rehearsal where Schwartz wanted to rework a song. “To be in the room while he was making the changes and to be a part of that process was really something special,” said Lloyd. Lloyd is also a featured dancer in “The Prince of Egypt,” which means she worked closely with world-renowned choreographer Sean Cheesman, who is known for his work with stars like Michael Jackson and the TV show “So You Think You Can Dance.” Lloyd said one of her favorite experiences of the summer has been dancing Cheesman’s choreography in the opening number of “The Prince of Egypt.” “We’re dancing as the river,” said Lloyd. “We’re the vessel that delivers Moses from his birth mother to his adopted mother. Cheesman is great at getting us to dance with emotion to further the emotions and plot of the story instead of just dancing to dance.” Lloyd said collaborating with Cheesman gave her invaluable insight into professional choreography. “It’s been interesting to see Cheesman’s process and how he works,” said Lloyd. “I was nervous going into it because of how well-known he is in the industry, but he is so kind and wants to put forth a good product just like the rest of us. I’m glad I know him moving forward.” While Lloyd has appreciated Cheesman’s mentorship, the work hasn’t been easy. “He worked us hard,” said Lloyd, as she described grueling days where they would dance for five straight hours and then perform the same night. Despite this, Lloyd said the work was rewarding. Working with Cheesman hasn’t been the only taxing part of Lloyd’s time at Tuacahn. Lloyd said making the jump from collegiate to professional, full-time theatre was a difficult transition. During the Fall 2017 semester, Lloyd was a part of BYU’s production of “Into the Woods.” The cast rehearsed for an entire semester and only performed on a few dates. The opposite is true at Tuacahn. The rehearsal process is short and the cast performs for four to five months. “You have to learn fast and learn the roles correctly because you’re thrown into performing right away,” said Lloyd. “It’s a hard season. It’s really long.” As a cast member, Lloyd doesn’t have a lot of time for rest. Lloyd said one of the hardest things to learn was how to preserve her health during such a long process. “My body hurts, my back is sore. I think I have some bruised ribs. Going full throttle for a few weeks is fine, but with a long contract you realize you have to preserve enough energy to perform and rehearse the next day,” said Lloyd. “You can still give a 100% effort and give the audience the show they deserve to see while maintaining some stamina to get through tomorrow.” Despite a steep learning curve, Lloyd wouldn’t change a thing. She said her time at Tuacahn has been the perfect transition from school to the professional world. Lloyd plans to move to New York City in January to pursue her a career in acting. She believes the connections she made this summer will prove beneficial to her future. “A lot of the cast members are from NYC and are Broadway veterans—this is their passion,” said Lloyd. “Being surrounded by and forming friendships with professionals who have worked in places I aspire to perform has been great as well as learning from them and getting advice for my career path.” Working at Tuacahn has also given Lloyd the confidence to be in show business. “This business is hard; there are a lot of no’s and rejections,” said Lloyd “Everyone here is so talented, but I’m here because I’m talented too. That has been a great realization.”