The latest Mormon feel-good movie, “Once I Was a Beehive,” is proving to be enjoyable for moviegoers both in and outside Mormon culture.The film tells the story of Lane Speer (Paris Warner), a 16-year-old girl whose father dies and mother remarries a Mormon. Speer goes on a week long, Bible-themed camping trip with other Mormon young women while her mom and stepdad are on their honeymoon.The film was released in select Utah theaters on Aug. 14.“We have been totally flattered and over the moon at the reception,” film director and writer Maclain Nelson said. “We knew we had something special, but to see people really grasp to the story, people who are going to see it for a second or third time, as a filmmaker that feels amazing.”See more at the Universe >>>>>> By Kjersten Johnson PHOTO: Lane Speer (Paris Warner) and Nedra (Barta Heiner) whittle wood in a scene of the film. The film is receiving good reviews from members of other faiths.

BYU illustration professor Justin Kunz has given Lady Liberty a complete makeover while designing a new collectors item coin for the US Mint. The American Liberty 2015 High Relief 24-karat Gold Coin was highly anticipated by coin collectors across the U.S. It features a newly re-imagined Lady Liberty meant to reflect modern sensibilities including increasing cultural diversity. Unlike previous representations, Kunz’s is a woman whose features–from her physicality and dress to the items she is holding–represent an attempt to bring a contemporary sensibility to a traditional American icon. “It was difficult to portray Lady Liberty as a modern figure,” Kunz said, “I studied, sketched and finally, meditated on what Lady Liberty represents. I wanted the idea of her to be a simple visual statement expressed in an elegant way.' 'I wanted her to be recognizable as Liberty. I didn't want to put her in a hoodie.' As you look at the coin, you notice that Kunz’s Lady Liberty has a more rounded face with smaller, less pronounced eyes, nose and ears. Her robes are more fitted with a V-neck. Instead of a crown with spikes representing the seven seas, the modern Lady Liberty is crowned with the laurel leaf representing victory. In her left hand, she holds the staff of an American flag that flows behind her and in her right hand she holds a torch meant to represent freedom. Kunz drew upon his experience as a professional illustrator, developing drawings in graphite based on his rough sketches and photographs of two different models who posed for Liberty. He then scanned the drawings and used 2D graphics software to edit and arrange the images with typography in a circular format. At one point Kunz had Lady Liberty depicted with a drawn sword, though he was concerned reviewers might feel this pose would appear too combative. Fifteen talented artists submitted their designs for the coin and only two were chosen, one for the obverse (front) and one for the reverse (back). The Citizens Coinage Advisory Committee and the U.S. Commission of Fine Arts reviewed all of the designs and made their recommendations, but ultimately it was up to the treasury secretary to decide which design would be minted on the coin. In the end, the secretary chose Kunz’s design for the obverse where his initials now reside. “It was an exciting experience to listen in on the CCAC’s meeting while they evaluated the designs,” Kunz said, “When they came to my design each member of the committee seemed to understand what I was trying to communicate, which is thrilling for an artist.” Although having his design chosen for the new coin is an honor few artists can say they’ve achieved, it’s not the first time Kunz’s work has won over an audience. Kunz’s designs have been featured on the following coin as well. 2008 Andrew Jackson’s Liberty (reverse) Kunz continues to work with the US Mint designing coins and medals. Next year, in 2016, a new America the Beautiful Quarter designed by Kunz with a depiction of the Shawnee National Forest will become available. It may even end up in your pocket. “It’s such a privilege to work with the US Mint.” Kunz said, “My skills and creativity as an artist have grown while working with them and it’s very rewarding to have my designs seen by thousands of American collectors all over the US.” The new coin, which will be limited to a mintage of 50,000 units, has an official denomination of $100, but is sold for nearly $1500. Initial inventories of the coin were sold out within the first day of its release and it’s on backorder until October. PHOTO CAPTION: Justin Kunz designed the new Lady Liberty on the coin for the US Mint. Photography by: Mark A. Philbrick/BYU. Copyright BYU Photo 2015. All Rights Reserved photo@byu.edu. From BYU News

On Monday, August 24th, Megan Jones and Wade Hollingshaus of the Theatre and Media Arts Department, and Ronald Staheli and Rosalind Hall from the School of Music, received awards at the opening ceremonies of the recent University Conference at the Marriott Center. Megan Jones received the Alcuin Fellowship Award, recognizing teachers and scholars that work above and beyond disciplines to contribute to general education and honors curriculums. Jones has a PhD in Theatre Historiography from the University of Minnesota. She is the Associate Professor of Theatre as the Theatre Arts Studies BA Program coordinator and Women’s Studies affiliate faculty member. She received her PhD in Theatre Historiography from the University of Minnesota-Twin Cities. Megan is also a director/choreographer whose credits at BYU include Crazy For You, Holes, Romeo and Juliet, Arabian Nights, Henry 5, and the upcoming Twelfth Night. Wade Hollingshaus also received the Alcuin Fellowship Award. Hollingshaus has a PhD in Theatre/History/Theory/Criticism from the University of Minnesota. He is the department chair of the Theatre and Media Arts Department and the head of the Dramaturgy Studies. He is also an affiliate faculty with BYU’s Scandinavian Studies program and serves as the liaison between the American Society for Theatre Research (ASTR) and the Theatre Library Association (TLA). He is also a member of the Performance Philosophy research network. Currently, Hollingshaus is working on a new book project on Peter Gabriel and theatricality. Rosalind Hall, third from left, and Ronald Staheli, fourth from left, front standing row. UAC University Annual Conference in Marriott Center. August 24, 2015. Photography by: Mark A. Philbrick/BYU. Copyright BYU Photo 2015. All Rights Reserved. Rosalind Hall also received the Creative Works Award. Hall, a native of Wales, came to Utah in 1989 to pursue post-graduate studies in choral conducting at Brigham Young University. Her British training was at London’s Royal Academy of Music and Edinburgh and London Universities. Before returning to teach at BYU in 1999, she spent seven years at the Waterford School where she chaired the music department, directed the choral program and played a key role in developing the Waterford Fine Arts Academy. She is renowned for her innovative and vivacious approach to vocal and rehearsal technique. Hall is the Choral and Conducting Division Coordinator for the School of Music. Ronald Staheli received the Creative Works Award recognizing outstanding achievement in developing creative works that have wide acceptance, and national or international distribution. Staheli recently retired as a conductor in performances involving the combined choirs and orchestra of BYU. He has traveled widely as a clinician and guest conductor and also has become known for what a colleague calls a profound sense of phrasing and articulation, which informs all his work. Travels have taken him and the choir to the Middle East, Russia, Western and Eastern Europe, the South Pacific, West Africa, and most recently, China.

Brigham Young University’s Department of Dance presents “eviDANCE” Thursday through Saturday, Sept. 17—19, at 7:30 p.m. in the de Jong Concert Hall. A matinee performance will also be presented on Saturday at 2 p.m.

BYU illustration professor Justin Kunz designed a new gold coin for the US Mint, designing a re-imaged Lady Liberty in the process.

The Brigham Young University BRAVO! Professional Performing Arts series presents Kelli O’Hara, Tony Award—winning Broadway star of “The King and I,” in the de Jong Concert Hall on Friday, Sept. 4, at 7:30 p.m.Tickets are $25-55, with discounts available for alumni, seniors and students.

The College of Fine Arts and Communications convocation ceremony was August 14, 2015. According to the program, 18 master and 188 baccalaureate degrees were awarded between June and August 2015.

BYU faculty Brad Barber and Scott Christopherson directed and produced Peace Officer, a documentary about the militarization of American police. The documentary follows the story of a former sheriff who started his state’s first SWAT but struggles 30 years later with what it has become. He investigates officer-involved shootings, as well as the shooting of his son-in-law, to discover the truth behind seemingly unrelated events. The film won the 2015 Documentary Feature Competition Grand Jury and Audience awards at the South by Southwest Film Festival, the David Carr award and Audience Award Best Documentary Feature at the Montclair film festival, the Kathleen Bryan Edwards Award for Human Rights at the Full Frame Documentary Film Festival and is featured as an exclusive on Apple trailers. The film will have its theatrical premieres in New York on September 16 and Los Angeles on September 18. After the premieres, the documentary will open in select cities. The film teaser is featured on Apple Trailers.

Incoming BYU faculty Robert Machoian’s film God Bless the Child was featured in The New York Times, Wall Street Journal and Filmmaker magazine and was made an official selection for South by Southwest. The film follows a family of five children ranging from age one to 13 years old over the course of a day after their mother abandoned them, forcing the eldest and only girl to handle her four younger brothers. Although the film is scripted, it has the style of a documentary. A scene from ‘God Bless the Child’ - PHOTO: ROBERT MACHOIAN Machoian’s film has a five star rating on iTunes and glowing reviews in The New York Times and the Wall Street Journal. The New York Times praises the filmmakers for using their own children as the actors and letting their internal dynamics drive the action instead of creating characters, stating “their blooming personalities come through with a warm and wonderful immediacy.” Filmmaker magazine sat down with Machoian and his co-director Rodrigo Ojeda-Beck to discuss the challenges of making this film. Read more about the interview here.

BYU Arts Creative recently won three awards in the 45th Annual Design Competition of the University and College Designers Association. Nick Mendoza, creative services manager for BYU Arts, also received a professional development scholarship. The award recognizes his work and funds his attendance this October at the UCDA Conference in Orlando, where the winning designs will be displayed. “I’m really proud of the students,” Mendoza said. “There is some recognition for me as the art director, but what makes my job fulfilling is mentoring them.” The competition attracted over one thousand entries but only gave out 165 awards: seven gold, 15 silver and 143 awards of excellence. BYU Arts Creative received three of those awards: one silver award and two awards of excellence. These awards aren’t just about putting BYU in the national spotlight, Mendoza explained. He submits the designs to competitions primarily to help the student designers gain recognition and get jobs. Many of his students have received internships or full-time design positions due to their experience working at BYU Arts Creative. BYU Arts Creative consists of a team of students that supports all of BYU Arts productions by preparing the marketing materials, including posters and programs. One of the students, Sam Reed, worked on the Contemporary Dance Theatre poster that won a silver award. “It was fun and challenging to try to convey the movement and energy of dance in a poster series,” Reed said. “I spent a lot of time manipulating the images until they felt right and were communicating that movement and energy.” Reed is a senior in the BFA Graphic Design program and is interning with Johnson & Johnson in New York. Andrew Galloway worked on the HFAC 50th season brochure that won an excellence award. He is also a senior in the BFA graphic design program and is interning in New York with a design studio called Thinkso. Alumna Nicolina Brown worked on the Jazz Ensemble poster that also won an excellence award. Brown graduated last April and has since worked as a design intern for Rapt Studio in San Francisco. Other Awards and Designs

Music and the arts have always been a huge part of Marina Polonsky’s life. She was was born to a family of singers in Zaporozhye, Ukraine. Polonsky's brother is a singer and composer and her parents are singers who used to travel all over the USSR on live tours before they opened their own restaurant business. The family’s artistic influence led Polonsky to be passionate about stories, hoping that one day she would be able to inspire others with her creative talents. This week Polonsky will graduate in Media Arts from the BYU College of Fine Arts and Communications in the Department of Theatre and Media Arts. Though it’s been hard living so far from family with the current tension going on between the Russian and Ukrainian government, she has enjoyed her time here at BYU and has appreciated the change she has seen in herself. BYU News’ Holly Kendall spoke with this artistic grad to get her story. Q: What was it like coming to BYU? Did anything surprise you? Marina Polonsky: Coming to BYU (BYU-Idaho actually, I transferred after a year) was one of the most positive life-changing events for me. First of all, it was my first time out of the country, first time on an airplane, and I definitely never thought I'd have to study in a different language. By the time I arrived in the states, I could understand around 70 percent of what the people were saying, but I had to take some time before responding since I had to translate my thoughts and try to put them into grammatically correct sentences. At first, the main struggle was seeing the differences in how people view their life; seeing how much people have. I feel like a lot of people here don't realize how much they have, most people don't take advantage of all these opportunities. I am able to do so many things here that I would never be able to afford on my own in Ukraine no matter how hard I would work. Q: How did you come to the decision to major in Media Arts? MP: Growing up I've always been into arts, at first I wanted to become a writer, then a painter, but my father always told me I'd be poor and unhappy if I did those things. I was always focusing on finding something else that I was talented in, that would bring me money and something I would enjoy. Eventually, I started studying 3-D modeling and animation, and that's how I came to BYU. Everything started while I was at BYU-Idaho though, when I got an email from BYU-Idaho Broadcasting and their supervisor told me that I'm the only person on campus that they know of who can do 3-D animation. So they invited me in for an interview. I was hired on the spot, but after doing it for money, I quickly realized that it was last thing I wanted to do. And so did my boss. He saw that, to put it lightly, I wasn't motivated. And to my big surprise, instead of letting me go, he put me on one of the cameras for the upcoming show. I have never operated a camera before but it has always been one of my dreams. When I was behind the camera for that BYU-Idaho show, I realized that it felt more right than anything I did before that. I felt like I belonged, and that was the moment when I realized that I could study that and do it for living. Nothing made me happier career-thinking wise. I knew BYU had a good film program, so after transferring, instead of applying for 3D animation program, I applied for Media Arts. It's been my second home since then. Q: Why were cameras of such interest to you? MP: To be honest, since I was little, the world of cinema was one of the most mysterious and magical things to me. I never even thought one day I could be running one of those incredible machines called cameras. I mean, think about it, you can capture a moment and then 50-60 years later you can watch it! How neat is that? The career of a filmmaker has always been something I could never even consider seriously. I thought of other filmmakers as some chosen people in a secret society. Q: What is your main focus in Media Arts? MP: My main official focus is narrative directing, but I've been studying and practicing everything from writing to post-production and about all the main areas of the craft. I don't want to be limited in my ability to create art that affects people's lives. Q: What led you to have a love for the arts? MP: The reason I love arts, especially film, so much is because I love stories. Storytelling is incredible. It's so powerful. Movies and all kinds of arts have always been inspiring to humanity. A film can let you observe and see something for yourself from a new perspective. It can teach you something, make you think, inform you, make you laugh, cry, etc. Movies impact who we become. So that's what I want to do, I want to help people all over the world to become better people, to become more connected, understanding, inspired, more aware and informed. We have a saying in Ukraine 'informed means armed.' I think the world would be a much better place if more people would be simply aware of more things about each other. Q: How would you describe your journey in achieving your degree? MP: I would describe it as a journey of finding myself and as a re-realization of everything I knew before. Every day, I learn or re-learn something about the craft and the human nature. Everything is interconnected. It's amazing. There has also been a lot of pain and struggle in my journey, which is exactly what brought all the great realizations and happy moments. I can definitely say I'm a very different person now compared to the person who came to the United States, daring greatly to try her luck and see what comes out of it. Q: What are some of your fondest memories from the time you’ve been at BYU? MP: The best memories were the moments of mutual vulnerability. In other words, the best memories were when I was understood in my hardest moments, instead of being judged by people who barely knew anything about me and my struggles. The moments when people really did care and showed it. The moments when people truly wanted to hear me out with an open heart. The moments when I would get support unexpectedly from some of my teachers. I can't thank them enough for their caring, their kindness, and their wisdom. Q: What do you want to do after graduation? MP: I want to make movies, whether fiction or non-fiction, that will drive people to tears of happiness and many realizations. I hope to shift someone's paradigm. I hope that when people walk out of my movies (whether I write them, direct them, or edit them) they call their old friend, their parents, someone they haven't talked to in a while and tell them that they love them. I want them to be willing to be more vulnerable, to be willing to get uncomfortable sometimes, to be willing to say sorry first, to reach out first. I hope I can convince them that life is beautiful and worth it. The world just needs more kindness and I feel like if the sky were the limit, I would like to reach out to as many as possible worldwide. But even if I succeed in changing one person’s life for the better - it would be just as meaningful. Source: BYU News

Elder Dallin H. Oaks, a member of the Quorum of the Twelve Apostles of The Church of Jesus Christ of Latter-day Saints, is scheduled to be the speaker during Brigham Young University’s Commencement Exercises in the Marriott Center on August 13 at 4:00 p.m. President Russell M. Nelson, also of the Quorum of the Twelve Apostles, will preside and give remarks. BYU President Kevin J Worthen will conduct the exercises. On Friday, August 14 graduates and faculty from the College of Fine Arts and Communications will gather together with friends and family in the de Jong Concert Hall at the Harris Fine Arts Center for a convocation to celebrate an ending, as well as a beginning, for those graduating in the 140th Summer Commencement Exercises. The convocation program will begin at 8:00 a.m. with a welcome from the new Dean, Ed Adams, and proceed with discourses from graduates Caitlyn Louise Costley, Hannah Elizabeth Richardson, Aubry Dalley, Laura Lee Dearden and Amber Nicole Lauritzen. The speeches will focus on themes such as choosing your own adventure, using imagination, nourishing the world through art and continuing education. Between talks there will be a musical number, Solo de Concert No. 4, op. 77 with Kelsey Jon Ripplinger Edmondson on the oboe and Amalie Simper on the piano.