Department Of Theatre And Media Arts

The latest Mormon feel-good movie, “Once I Was a Beehive,” is proving to be enjoyable for moviegoers both in and outside Mormon culture.The film tells the story of Lane Speer (Paris Warner), a 16-year-old girl whose father dies and mother remarries a Mormon. Speer goes on a week long, Bible-themed camping trip with other Mormon young women while her mom and stepdad are on their honeymoon.The film was released in select Utah theaters on Aug. 14.“We have been totally flattered and over the moon at the reception,” film director and writer Maclain Nelson said. “We knew we had something special, but to see people really grasp to the story, people who are going to see it for a second or third time, as a filmmaker that feels amazing.”See more at the Universe >>>>>> By Kjersten Johnson PHOTO: Lane Speer (Paris Warner) and Nedra (Barta Heiner) whittle wood in a scene of the film. The film is receiving good reviews from members of other faiths.

BYU faculty Brad Barber and Scott Christopherson directed and produced Peace Officer, a documentary about the militarization of American police. The documentary follows the story of a former sheriff who started his state’s first SWAT but struggles 30 years later with what it has become. He investigates officer-involved shootings, as well as the shooting of his son-in-law, to discover the truth behind seemingly unrelated events. The film won the 2015 Documentary Feature Competition Grand Jury and Audience awards at the South by Southwest Film Festival, the David Carr award and Audience Award Best Documentary Feature at the Montclair film festival, the Kathleen Bryan Edwards Award for Human Rights at the Full Frame Documentary Film Festival and is featured as an exclusive on Apple trailers. The film will have its theatrical premieres in New York on September 16 and Los Angeles on September 18. After the premieres, the documentary will open in select cities. The film teaser is featured on Apple Trailers.

Music and the arts have always been a huge part of Marina Polonsky’s life. She was was born to a family of singers in Zaporozhye, Ukraine. Polonsky's brother is a singer and composer and her parents are singers who used to travel all over the USSR on live tours before they opened their own restaurant business. The family’s artistic influence led Polonsky to be passionate about stories, hoping that one day she would be able to inspire others with her creative talents. This week Polonsky will graduate in Media Arts from the BYU College of Fine Arts and Communications in the Department of Theatre and Media Arts. Though it’s been hard living so far from family with the current tension going on between the Russian and Ukrainian government, she has enjoyed her time here at BYU and has appreciated the change she has seen in herself. BYU News’ Holly Kendall spoke with this artistic grad to get her story. Q: What was it like coming to BYU? Did anything surprise you? Marina Polonsky: Coming to BYU (BYU-Idaho actually, I transferred after a year) was one of the most positive life-changing events for me. First of all, it was my first time out of the country, first time on an airplane, and I definitely never thought I'd have to study in a different language. By the time I arrived in the states, I could understand around 70 percent of what the people were saying, but I had to take some time before responding since I had to translate my thoughts and try to put them into grammatically correct sentences. At first, the main struggle was seeing the differences in how people view their life; seeing how much people have. I feel like a lot of people here don't realize how much they have, most people don't take advantage of all these opportunities. I am able to do so many things here that I would never be able to afford on my own in Ukraine no matter how hard I would work. Q: How did you come to the decision to major in Media Arts? MP: Growing up I've always been into arts, at first I wanted to become a writer, then a painter, but my father always told me I'd be poor and unhappy if I did those things. I was always focusing on finding something else that I was talented in, that would bring me money and something I would enjoy. Eventually, I started studying 3-D modeling and animation, and that's how I came to BYU. Everything started while I was at BYU-Idaho though, when I got an email from BYU-Idaho Broadcasting and their supervisor told me that I'm the only person on campus that they know of who can do 3-D animation. So they invited me in for an interview. I was hired on the spot, but after doing it for money, I quickly realized that it was last thing I wanted to do. And so did my boss. He saw that, to put it lightly, I wasn't motivated. And to my big surprise, instead of letting me go, he put me on one of the cameras for the upcoming show. I have never operated a camera before but it has always been one of my dreams. When I was behind the camera for that BYU-Idaho show, I realized that it felt more right than anything I did before that. I felt like I belonged, and that was the moment when I realized that I could study that and do it for living. Nothing made me happier career-thinking wise. I knew BYU had a good film program, so after transferring, instead of applying for 3D animation program, I applied for Media Arts. It's been my second home since then. Q: Why were cameras of such interest to you? MP: To be honest, since I was little, the world of cinema was one of the most mysterious and magical things to me. I never even thought one day I could be running one of those incredible machines called cameras. I mean, think about it, you can capture a moment and then 50-60 years later you can watch it! How neat is that? The career of a filmmaker has always been something I could never even consider seriously. I thought of other filmmakers as some chosen people in a secret society. Q: What is your main focus in Media Arts? MP: My main official focus is narrative directing, but I've been studying and practicing everything from writing to post-production and about all the main areas of the craft. I don't want to be limited in my ability to create art that affects people's lives. Q: What led you to have a love for the arts? MP: The reason I love arts, especially film, so much is because I love stories. Storytelling is incredible. It's so powerful. Movies and all kinds of arts have always been inspiring to humanity. A film can let you observe and see something for yourself from a new perspective. It can teach you something, make you think, inform you, make you laugh, cry, etc. Movies impact who we become. So that's what I want to do, I want to help people all over the world to become better people, to become more connected, understanding, inspired, more aware and informed. We have a saying in Ukraine 'informed means armed.' I think the world would be a much better place if more people would be simply aware of more things about each other. Q: How would you describe your journey in achieving your degree? MP: I would describe it as a journey of finding myself and as a re-realization of everything I knew before. Every day, I learn or re-learn something about the craft and the human nature. Everything is interconnected. It's amazing. There has also been a lot of pain and struggle in my journey, which is exactly what brought all the great realizations and happy moments. I can definitely say I'm a very different person now compared to the person who came to the United States, daring greatly to try her luck and see what comes out of it. Q: What are some of your fondest memories from the time you’ve been at BYU? MP: The best memories were the moments of mutual vulnerability. In other words, the best memories were when I was understood in my hardest moments, instead of being judged by people who barely knew anything about me and my struggles. The moments when people really did care and showed it. The moments when people truly wanted to hear me out with an open heart. The moments when I would get support unexpectedly from some of my teachers. I can't thank them enough for their caring, their kindness, and their wisdom. Q: What do you want to do after graduation? MP: I want to make movies, whether fiction or non-fiction, that will drive people to tears of happiness and many realizations. I hope to shift someone's paradigm. I hope that when people walk out of my movies (whether I write them, direct them, or edit them) they call their old friend, their parents, someone they haven't talked to in a while and tell them that they love them. I want them to be willing to be more vulnerable, to be willing to get uncomfortable sometimes, to be willing to say sorry first, to reach out first. I hope I can convince them that life is beautiful and worth it. The world just needs more kindness and I feel like if the sky were the limit, I would like to reach out to as many as possible worldwide. But even if I succeed in changing one person’s life for the better - it would be just as meaningful. Source: BYU News

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See two of our TMA alumni with their family in this heartwarming YouTube video made for the Mormon Channel. For Ian and Melissa Puente, family time is always a busy time, thanks to their two sets of twin boys. Julian and Caleb are 7 years old, and Jack and Christian are 5 years old. All together, they make one happy family. Melissa graduated from BYU in 1999 with a degree in Film. In May 2006, she received a national Emmy for single-camera editing for the syndicated TV show 'Starting Over.' You can read more about Melissa's professional work at IMDB. Ian is a filmmaker, attorney, and vice-president of business development at Samuel Goldwyn Films in Los Angeles. Puente’s interest in film began when he was a child. He graduated from BYU in 1999 with a bachelor's degree in film. You can read more about Ian at the HFAC anniversary site.

Who wore it best? BYU professor is the expert on Bible and Book of Mormon clothing Resident clothing history expert at BYU, theatre and media arts professor Rory Scanlon, has spent more than 15 years pouring through archeological and anthropological records to discover what people dressed like during Bible and Book of Mormon times. He’s used the help of more than 21 research assistants to compile nearly 1000 works into easy-to-use clothing guides. The guides give a clothing history of ancient people. They also contain timelines of the cultures mentioned in the Bible and Book of Mormon and compare them to archeological records. “The common Bible and Book of Mormon representations we see are typically inaccurate,” Scanlon said. “I was disappointed when I found out, so I started doing my own research. That research evolved over 15 years to be the expansive project it is today.” The works in the guides include references to books, articles and videos by both anthropologists and archeologists. The compilation is an effective tool for artists as they research clothing for specific time periods. The guides are broken into two sections, one on the Bible area in Mesopotamia and the other on the Book of Mormon area of Mesoamerica. Since there are many opinions about ancient culture and clothing, Scanlon’s guides direct artists to their own interpretations of how ancient people clothed themselves. There is no definitive way to determine how ancient people dressed, but the guides give artists a good idea of the type of clothing worn by correlating research done by hundreds of experts. Scanlon’s research was used over the course of six years to redesign the clothing and characters in the Hill Cumorah Pageant in New York from 2001 to 2007. Specifically, his work was used to re-do the clothing of all the major characters in the production including Joseph Smith, Moroni and Lehi. “My work on this project was one of the most personal growing experiences of my life,” Scanlon said, “All my professional training would lead me to believe that such a task was impossible. What was produced, however, was a testimony of the power of the Spirit in guiding and directing key projects for the Church.” On Temple Square in Salt Lake City, in the North Visitor’s Center is a tribute to both ancient and modern prophets called the Hall of the Prophets. Scanlon’s research was used to redesign some of the most well known prophets such as Moses and Peter. Because there is such a broad application for Scanlon’s research, visual artists who use the guides range in field and medium from clothing designers to traditional oil paint artists to modern animators. “Rory is a fountain of knowledge, and has given me invaluable guidance on several difficult projects,” said Joshua Cotton, a BYU animation student, “One I remember in particular was the costume I completed for the Captain Moroni: the Art of Liberty exhibit. I’m one of many who have benefitted from his work.” Many BYU productions have also profited from Scanlon’s work. In 2003, the Opera Abinidi, in 2006 the play Aida and in 2009 both the play Children of Eden and Macbeth, set in Central America benefited from the expansive research by Scanlon. “My research in the Bible and Book of Mormon has influenced my approach to most productions,” Scanlon said, “I now think more about the historical context of clothing overall.” Currently, Scanlon’s guides are available on request, but his goal is to print them in order to make his work available for artists working on Bible and Book of Mormon projects around the world. Source: BYU News

Wade Hollingshaus, an associate professor in Theatre and Media Arts, has accepted the position as chair of the department beginning July 15, 2015. The three-year term opened up with the recent appointment of current chair Amy Jensen as associate dean for the College of Fine Arts and Communications. Ed Adams, dean of the College of Fine Arts and Communications, made the announcement July 1 during a special faculty meeting. “Wade is solutions oriented,” said Adams. “I appreciate Wade making the sacrifice and accepting the position.” Hollingshaus received his Ph.D. from the University of Minnesota in 2008 and has served in various area leadership positions. For the past three years Hollingshaus has led the assessment efforts of the department, where he worked to integrate the Aims of a BYU Education into TMA’s assessment measures and outcomes. He has also been integrally involved in the department's preparation for the NAST accreditation and site visit that will occur in 2017. Adams also praised Jensen for her leadership of the department. “I hold Amy in high regard,” added Adams. “Under Amy’s direction this department is well-respected at the university. Amy has been effective in creating a strong community and has increased faculty engagement.” During Jensen’s tenure, she directed the department's process for long-term strategic planning, collaboration and teamwork within TMA areas, intra/inter-departmental student mentored projects, retooling of curricular offerings, increased funding for student scholarships and internships, encouraged and supported faculty scholarship, and prepared for and successfully completed university reviews.

Greg Whiteley, TMA alumnus is director of Most Likely to Succeed, an education documentary that asks: Why has our education system stayed the same while our economy has drastically shifted with technology? The film kicks off with a brief history lesson of the U.S. education system, which was largely geared toward producing factory workers for the industrial revolution.

According to filmmaker J. Christian Jensen, the same emotional forces that propel us forward in a good film can motivate us to do remarkable things in our lives. On April 9, crowds pack into the Provo Covey Center for TEDxBYU. Hosted by Brigham Young University’s Ballard Center, the conference gave hundreds the opportunity to hear presenters from a variety of backgrounds “spark deep discussion and connection in a small group.” Jensen, a graduate form BYU, was one of the featured speakers at this year’s event. Illustrating his lecture with scenes from his Oscar-nominated documentary, “White Earth,” Jensen explained how people can fulfill their life’s mission by constructing their own personal narratives. “When you discover your personal narrative, it will not only guide you to find your life’s mission, but it will also serve as a lifelong source of strength and motivation to help you accomplish that mission,” said Jensen. Jensen offered three tips in finding this lifelong strength: (1) find your marks and own them, (2) tell personal and family stories, and (3) find your mentors. In speaking of his own marks, Jensen said, “Marks can be very personal. I’m obsessed with trying to build bridges between ideologies. I can trace this to my religious upbringing.” Just as important as owning one’s marks is telling personal and family stories. “The stories that we tell about ourselves help to create our identity. They are a part of our personal narrative,” said Jensen. The power of such personal narratives, Jensen shared, has a scientific basis. He cited the work of psychologist Marshall Duke, who found that children who knew more stories about their history and childhood showed levels of higher self-esteem and self-control. These outcomes ultimately led to greater happiness. Jensen concluded by explaining the influence of mentors using an example from his own life. Many of his greatest mentors, he related, came into his life while a student of BYU’s Media Arts Studies program. “Before going to BYU, I came from a fairly sheltered background where I was given every opportunity to learn and explore my passions, but I was not exposed to a diverse set of films and things to study,” he said. “Many of the professors and the program helped completely shift and transform the pursuits that I am now carrying out in my life.” Jensen began in journalism before moving to film. While a BYU student, he worked on productions for National Geographic and on PBS’s FRONTLINE and American Experience. After graduating from BYU, he completed an MFA at Stanford. Jensen’s recent work has screened at major festivals around the world. “I’m ever grateful for BYU and the role that the CFAC played in pushing me along this path that I have followed. I have been very blessed and I hope that I can keep doing things that are of value to me and to others,” Jensen said. To view Jensen’s TEDxBYU presentation, click here.

Brigham Young University students and alumni took up much of the screen time at this year’s LDS Film Festival, highlighting the talent and skills being nurtured here. Christian Vuissa founded the festival in 2001 while he was still an undergraduate studying media arts studies at BYU. The festival is now a major event that showcases an impressive array of feature films, special screenings and short films. Although it was originally founded for LDS filmmakers to network with each other and showcase their work to an appreciative audience, the event has quickly turned into an opportunity for all likeminded individuals to promote their filmmaking trade. BYU students and alumni have taken part of the event every year since its inception. This year, three BYU alumni went home with awards from the festival: Third place in the Short Film Competition — Without a Rope, by Nick Dixon, who also received an audience choice award. Honorable Mention in Short Film Competition -White Earth, by Christian Jensen Third Place in the 24-Hour Filmmaking Marathon — Tooth Fairy: A New Hope, group led by Raven Alard “Winning these awards is a great recognition,” said Nick Dixon, the creator of Without a Rope. “It's nice to know the work we put into the film was appreciated and that our hard work paid off. A lot of time and energy went into making the film, so getting recognized is really gratifying.” Cokeville MiracleCokeville Miracle Other films made by Theatre and Media Arts students and alumnus included: Feature Films Freetown, Director: Garrett Batty; Writer: Melissa Leilani Larson, Garrett Batty; Producer: Adam Abel, Garrett Batty The Cokeville Miracle: Director: T.C. Christensen, actors included Kym Mellon, Barta Heiner Austenland: Director: Jerusha Hess; Writer: Jerusha Hess; Associate Producer: Jared Hess Meet the Mormons: Director, Blair Treu (Many media arts alums on the crew) Glimpses Beyond Death’s Door: Writer, Director, Producer: Brandon Smith; Executive Producer: Ron Brough The Heart of the Matter: Director: Jessica Mockett; Producer: Jessica Mockett, Nathan D. Lee, Jordan Harker; Director of Photography: Travis Cline Untitled Girl’s Camp Movie: Writer, Director: Maclain Nelson; Producer: Jake Van Wagoner, Lisa Clark, Hailey Smith, Clare Niederpruem; Executive Producer: Maclain Nelson; Director of Photography: Joel Remke; Production Designer: Anne Black Mythica: Director: Anne Black; Writer: Anne Black, Jason Faller, Kynan Griffin; Producer: Jason Faller, Kynan Griffin; Director of Photography: A. Todd Smith Survivor: Writer, Director, Producer: John Lyde; Executive Producer: Jason Faller, Kynan Griffin Short Films Newsies: Director: Jeff Parkin; Producer: Jared Cardon, Jeff Parkin, Babetta Kelly; Director of Photography: Jacob Schwarz White Earth: Writer, Director, Producer: J. Christian Jensen; Director of Photography, Editor: J. Christian Jensen Without a Rope: Writer, Director: Nick Dixon; Producer: Willem Kampenhout; Executive Producer: Tom Russell, Courtney Russell, Tom Lefler; Director of Photography: Gary Groth; Production Designer: Gina Thompson; Original Score: Spencer Russell; Editor: Jonathan Ying. Presentations and Panels Christian Vuissa Jerusha Hess Garrett Batty Studio C A complete list of all those honored at the festival can be found by clicking, here.

A new database of student created films is now available for use by Brigham Young University students and fans alike, the Department of Theatre and Media Arts announced on Friday at the Franklin S. Harris Fine Arts and Communications Center 50th Anniversary Gala. Created to allow all to see the student work created here at BYU, the database already hosts over 150 films and can be accessed online at studentfilms.byu.edu. More films will be added each week by the TMA department and alumni who wish to submit their former work. “This website is an effort to help show people what the BYU Media Arts program has done in the past and what we are capable of doing now,” said Kyle Stapley, Media Arts Program Coordinator and lead for this project. “By focusing specifically on student work that has been done here at BYU, we hope that this project will also act as a recruiting tool to help bring in additional talent to our renowned programs.” Brigham Young University has a long, rich history in the creation and education of film. BYU was one of the first universities to create a formal department for the production of motion pictures, founded in 1953. Currently, the BYU Media Arts Program and the Center for Animation have won over 30 National and Regional Student Emmys in the past 12 years making BYU one of the most well-respected Film and Animation programs in the nation. Those who visit the new website will find that there are different types of films to enjoy such as fiction, non-fiction and animation films. In addition to these, a portion of the website is dedicated solely to BYU Final Cut Films. These films are deemed the best student-produced, student-created fiction films, documentaries, commercials, and animations are created here at BYU. According to Stapley, these films include Mr. Bellpond, which won two Student Emmy’s in 2012, and even go back as far as The Phone Call and Johnny Lingo, films done through the BYU Motion Picture Studio back when the Motion Picture Studio was connected to BYU. “Another exciting option for those who visit our new website is to view the work done with Aperture, our student-ran journal of media arts,” Stapley said. “You can go here to read papers about media art, film, sound, etc. In this way we are able to combine critical studies with the actual production of film.” “Getting this website up and running in the format and in the depth that we have now is a great start,” Stapley said. “But, with the potential for additional opportunities that we are now realizing, we see this project getting much bigger in the future. Just to give you an idea, I know our students are starting to get really interested in creating web series. So, in the future, we might be using this website to launch those kinds of projects.”

Innovative integration of stage and screen for 'Our Town' wows national audience

Brigham Young University’s Department of Theatre and Media Arts will present its Microburst Theatre Festival March 5-7 and 11-14, at 7:30 p.m., with additional Saturday matinees at 2 p.m., in the Margetts Theatre of the Harris Fine Arts Center.

Having first “entered to learn” over 60 years ago, Brigham Young University (BYU) graduate and emeritus Professor Dr. Harold Oaks has pioneered a charge that reflects “going forth to serve.” Theatre for Young Audiences/USA (TYA/USA) has recently announced the creation of an annual award honoring significant contributions by individuals and organizations in the Theatre for Young Audiences field in the US; and BYU graduate and emeritus Professor of Theatre, Dr. Harold Oaks, has been chosen as the namesake. “It is unusual for this organization to have such an award as many were fearful of the organization becoming solely about that. It was only after lots of discussion that the board decided on it being the right thing to do,” said Dr. Oaks. “For them to choose my name to be associated with the award is truly humbling.” Karen Sharp, Executive Director of the TYA/USA board has this to say in a TYA Today article on the creation of the Harold Oaks Award: “There were several on the board who really saw the value in honoring an organization and an individual who have impacted our field. After lots and lots of discussion we settled on it being the right thing to do and on Harold Oaks being the right namesake.” Dr. Oaks has attended BYU as a student or faculty member for a total of 38 years. His love for theatre and teaching are underscored by his time as a professor and department chair in the Theatre and Media Arts (1980-1993) and as Associate Dean of the College of Fine Arts and Communications (2000-2002). He credits his time at BYU with giving him the skills necessary to excel after graduation. “I had some outstanding teachers who set an example of excellence in the field. From them, my life view was broadened so that I could better interact and respond in the real world. I also learned how secular knowledge and the gospel can be used together to strengthen testimonies and bless lives,” said Oaks. “The greatest advantage regarding a BYU education is being able to discuss the relationship of gospel knowledge with students in the classroom and in personal contact discussions.” Much of Dr. Oaks’ life’s work has been devoted to promoting the power of professional theatre for young audiences. He attributes his passion for teaching youth with an experience that he had shortly after taking over the BYU Child Drama program. “I woke up early one morning impressed to look up all the references about children in the scriptures. That was a life changing experience! The Lord loves children. One cannot read the accounts of His blessing the children without feeling that powerful love! It is a privilege and a blessing to work with and for children,” said Dr. Oaks. “I have always felt BYU should lead the world in blessing the lives of children with both drama and theatre for young audiences. I founded the BYU Young Company (formerly known as the Whittlin’ Whistlin’ Brigade) as a tool to bless lives and train students to work in the area.” Dr. Oaks hopes that the TYA/USA award bearing his name will likewise serve as a clarion call that encourages the teaching of theatre to young, eager audiences. Since its creation in 2013, the Harold Oaks Award has been awarded to Joette Pelster (2013), People’s Light & Theatre Company (2013), Scot Copeland (2014) and Metro Theatre Company (2014). The 2015 award recipients will be announced in May of this year. For more information on Dr. Oaks, click here.

Congratulations to our CFAC Theatre and Media Arts Alumnus, Christian Jensen, for the Oscar nomination of his film White Earth in the Short Documentary category. Jensen was also awarded the Jury Special Mention for Cinematography in a Documentary Short for White Earth, screened at the 2014 SlamDance Film Festival. White Earth also received the Full Frame Jury Award for Best Short at the Full Frame Documentary Film Festival in Durham, North Carolina. About White Earth Thousands of desperate souls flock to America’s Northern Plains seeking work in the oil fields. White Earth is the tale of an oil boom seen through unexpected eyes. Three children and an immigrant mother brave a cruel winter and explore themes of innocence, home and the American Dream. About the filmmaker J. Christian Jensen graduated from Brigham Young University in 2009 with a degree in Media Arts Studies. Jensen began working in media as a journalist — a passion that evolved into more creative work as a documentary and hybrid filmmaker. Between 2002 and 2006, he filled a variety of production roles on several short and feature-length fiction films including Together Again for the First Time and The Flyboys. In 2006, while pursuing a degree in Media Arts Studies at Brigham Young University, Jensen was awarded an Oscarson Discovery Grant which enabled him to relocate to Washington D.C. where he interned for National Geographic Television & Film. He also worked on PBS FRONTLINE and American Experience, and with the co-production of The Mormons. Between 2006 and 2010, Jensen continued to work in non-fiction helping to create The Soul of Kalaupapa, a documentary about the remote Kalaupapa leprosy (Hansen's Disease) colony on Molokai, Hawaii. He also worked as an editor and camera person at BYU Television International and was an editor on Messiah: Behold the Lamb of God, and Storytellers, which were both produced for BYUtv by Kaleidoscope Pictures. In 2008, Jensen received funds from ORCA, The Laycock Center for Creative Collaboration in the Arts, and the Kennedy Center for International Studies, to write and direct a broadcast-length documentary called Sou da Bahia (I’m from Bahia) about art and Afro-Brazilian identity in Northeastern Brazil. He also co-curated a multiple medium art exhibit by the same name to accompany the film’s television premier throughout the U.S. and Latin America. In 2011, after a year living abroad in China, Jensen was accepted to Stanford University's MFA Program in Documentary Film & Video where he received the Carmen Christensen Fine Arts Fellowship. He also received graduate fellowships to attend The Robert Flaherty Film Seminar (2012), the Telluride Student Symposium (2013), and the annual University Film & Video Association (UFVA) Conference (2013). Within Stanford's program, he produced and directed the following documentary and experimental short films: Out of Body (2011), Between Land and Sea (2012), ALPHA & OMEGA (2012), and White Earth (2013). The films have since played at major festivals throughout the United States including Napa Valley, DOC NYC, Palm Springs ShortFest, Mill Valley, and NextFrame. ALPHA & OMEGA was also a finalist in the Student Academy Awards. White Earth was a national recipient of the Carole Fielding Student Grant and was screened at the 2014 Slamdance film festival. Jensen received his Master of Fine Arts from Stanford University in 2013. After graduating, Jensen was a finalist for the International Documentary Association, David L. Wolper's Student Documentary Award, with his film, Between Land and Sea. In 2014, Jensen was awarded the Jury Special Mention for Cinematography in a Documentary Short for White Earth, screened at the 2014 SlamDance Film Festival. White Earth also received the Full Frame Jury Award for Best Short at the Full Frame Documentary Film Festival in Durham, North Carolina. Jensen also won second place in the Student Academy Awards in 2014 in the documentary category for White Earth.

The BYU Department of Theatre and Media Arts and interdisciplinary Music Dance Theatre program will present the U.S. premiere of The Count of Monte Cristo, a new musical from Tony Award-nominated composer Frank Wildhorn and Tony Award-nominated lyricist and book writer Jack Murphy. It will be presented in the de Jong Concert Hall of the Harris Fine Arts Center and will run from Thursday, Jan. 22 to Saturday, Jan. 31, 2015.

The KCACTF Region VIII board has extended an invitation to TMA’s production of Our Town, directed by Stephanie Breinholt, to perform at the festival in February. Our Town was one of eight productions invited to the festival which will be held in St. George at Dixie State University, February 10-14 in the Cox Theatre, the only production that will be performed that evening.

To prepare for her role as Mercedes in the production, BYU student Shae Robins spent time with Frank Wildhorn and the show’s musical director Gayle Lockwood this August prior to the start of rehearsals. This summer in New York, Tony Award-winning composer Frank Wildhorn sat in his apartment with Shae Robins, a BYU Music Dance Theatre