george nelson

Four Faculty and Staff Members from the College of Fine Arts and Communications Have Retired This Past Year

The stars of BYU’s production of Disney’s Beauty and the Beast maintained their luster during the Kennedy Center American College Theatre Festival (KCACTF) hosted in Hawaii bringing home multiple awards.“We really, really showed well,” said George Nelson, director of the tale as old as time.

The BYU Department of Theatre and Media Arts and interdisciplinary Music Dance Theatre program will present the BYU premiere of Disney’s Beauty and the Beast in the Pardoe Theater of the Harris Fine Arts Center, at 7:30 p.m. on Nov. 19-21, 27-28, Dec. 1-5 and 8-10, with matinees on Nov. 21, 28 and Dec. 5 at 2 p.m. An ASL performance will be presented on Dec. 3 at 7:30 p.m. Tickets are $25, with discounts available for alumni, senior citizens, students, employees and groups. Tickets can be purchased in person at the BYU Ticket Office in the Harris Fine Arts Center or Marriott Center, by phone at 801-422-2981 or online at byuarts.com. This beloved musical tells the classic story of Belle, a provincial girl who falls in love with the cursed, monstrous prince who imprisons her father. Based on the Oscar award-winning Disney movie, this musical is a parable about looking upon a person’s heart rather than the outward appearance. Director George Nelson is excited to present this enchanting “tale as old as time” to the community because he believes this fairytale is an allegory for the redemption of the fallen nature in the heart of every human being. “This tale is universal because of the truths it reveals,” said Nelson. “Our retelling hopefully combines the magic of this amazing musical with the reality of the powerful influence for good real, selfless love can have on the human heart.” Based on Linda Woolverton’s book, the music is by Alan Menken, with lyrics by Howard Ashman and Tim Rice. Other production members include Mark Johnson as musical director, Becky Phillips as choreographer, Lindsi Neilson as production stage manager, Benjamin Sanders as scenic and lighting designer, Shannon McCurdy as costume designer, Valeri Day as makeup hair designer, Taylor Glad as sound designer, Lizzie Mickelson as properties designer, Travis Coyne as technical director, Kasey Kopp as dramaturge and Theron Christensen as illusionist. Cast members include Johnny Wilson as the Beast, Twyla Wilson as Belle, Kooper Campbell as Gaston, Alana Jeffery as Mrs. Potts, Woody White as Lumiere, Scott Whipple as Cogsworth, Joseph Swain as Maurice, Tricia Zuskind as Chip, Cherie Kaufman as Madame De La Grande Bouche, Devin Neilson as Le Fou, Tierney Bent as Babette, Elsa Hodder as enchantress and Alex Hasse as Rug.

Photo credit: Robert Aroujo Dubbed as “a love story that isn’t spoiled by the trailer,” the new musical Single Wide has attracted national attention, awards and the opportunity to be performed Off-Broadway in the 2015 New York Music Theatre Festival (NYMF). What started as a joint project between Brigham Young University’s George D. Nelson, the head of the playwriting program in the Department of Theatre and Media Arts, and Jordan Kamalu, a commercial music major in the School of Music, is now exploding into a star-studded venture. Read the recent review! http://bit.ly/1LFZcbH

Dubbed as “a love story that isn’t spoiled by the trailer,” the new musical Single Wide has attracted national attention, awards and the opportunity to be performed Off-Broadway in the 2015 New York Music Theatre Festival (NYMF). What started as a joint project between Brigham Young University’s George D. Nelson, the head of the playwriting program in the Department of Theatre and Media Arts, and Jordan Kamalu, a commercial music major in the School of Music, is now exploding into a star-studded venture. Jeff Whiting, a BYU Music Dance Theatre alumni and acclaimed Broadway director has just signed on to direct Single Wide’s world premiere at the NYMF festival in New York in July. “I’m honored to have been asked to help develop Single Wide and take it to the stage in New York,” said Whiting. “I love the piece! I think the story is going to translate well on the stage in the context of the dialogue and the music that’s been created, it’s going to make a real big splash in New York.” In addition to this privilege, Single Wide received the Blanche and Irving Laurie Musical Theatre Award from The Kennedy Center American College Theater Festival (KCACTF). This award recognizes the best new musical to be written and performed on a university campus in 2014-2015. Excerpts from the musical will be showcased at the KCACTF national festival in Washington D.C., this April. Single Wide follows a community of single women living in a trailer park in the southern United States. Katy, a single mother, living with her own single mother, is trying to get her son out of their “single wide” situation. For her, this means hard work and avoiding men, especially the type that left her there in the first place. But when her son befriends the reclusive new move-in two trailers down, she sees something different in him that makes her take a second look. “At the core of this musical is the story of an unlikely family that begins to come together. No one could have done this better than George,” said Whiting. “George has this ability to really create dialogue that sounds like people, the way they actually exist in their world. Then it’s Jordan’s score that really makes it fun. His music gives wonderful life and vibrancy to this piece. Their collaboration is what makes this project so brilliant and clever. “ “It’s thrilling that Single Wide has won these recognitions,” said Nelson. “These honors belong to our entire department and the atmosphere here that is supportive and conducive to the development of new works. I hope these awards are momentum-building.”

Seven BYU playwrights worked tirelessly for weeks to create a performance that included seven, 7 minute plays in what came to be known as the Microburst Theatre Festival. Under the direction of George Nelson, an associate professor in the Department of Theatre and Media Arts (TMA), the group acquired five actors to play all the roles. The show went on to receive three prestigious awards at the Kennedy Center American College Theatre Festival (KCACTF). Student playwriting achievements have been celebrated at KCACTF throughout the nation for over 40 years. These BYU playwrights put in weeks of work, and the stories they told have been received with near universal acclaim. According to Nelson, these playwrights all have one thing in common. “This is the writing of my very beginning playwriting students,” Nelson said in regard to the KCACTF awards. “I’m really kind of flabbergasted.” The plays, written by Taryn Politis, Amy McGreeby, Katie Jarvis, Amberly Lourde, Amanda Welch, Chelsea Hickman and Chauntel Lopez, tackle the topic of love in comical and touching ways, exploring its unpredictable and sometimes awkward development. Students won the Distinguished Production of New Work Award and a Performance Award for Distinguished Achievement. Nelson was recognized at KTCACTF as well, receiving the Distinguished Direction of a New Work Award. Wade Hollingshaus, a fellow TMA faculty member, received the Excellence in Theatre Education Award at the festival as well. Hollingshaus mentioned that his coworkers help make these recognitions possible. “I love working in TMA. The TMA faculty–we have great relationships, we have great respect for each other,” Hollinghaus said. “I want to continue to work in this environment, and to make sure to do my part so the environment stays the way that it is.” Nelson said that playwriting is most rewarding when writers get an opportunity to see their work performed, receive feedback on it and rewrite the script. This pattern has proven to be successful with BYU’s popular sketch comedy group, Divine Comedy, which Nelson advises. He decided to try this rigorous system with these new playwrights. “This was our first attempt to do that, and to get this kind of a reaction–it’s remarkable,” Nelson said happily. “If BYU is to distinguish itself from other universities that exist in the world, the greatest opportunity we have to do that is in writing. If we get good at it, then we can change the landscape of the theatrical world.” Nelson noted that while modern views of love take on a variety of perspectives, the Microburst Theatre Festival attempts to show the truth about love without being crude or vulgar. “We don’t have to reflect the voice of the world,” he said.