illustration

Wise fools and fish on leashes. Dragons and dwarves. Boats and beetles. Flying pigs and goblin princesses. The imaginative images of myths, fables and fantasies depicted by James C. Christensen will live on in myriad mediums, despite the death of the artist recognized for his works of fantasy and faith. Christensen, a world-renowned LDS fantasy artist and former BYU art faculty member, died Sunday, Jan. 8, 2017, in Orem after a prolonged battle with cancer. He was 74. READ MORE FROM THE DESERET NEWS >>> Former CFAC faculty member passes away James C. Christensen passed away Jan. 8, 2017 at the age of 74 after an ongoing battle with cancer. Born in Culver City, California in 1942, Christensen was a well-known American artist of religious and fantasy art. He studied at Santa Monica College and UCLA, and graduated from Brigham Young University with a Master’s Degree in Art. Christensen is an Honored Alumnus and was a Visual Arts Emeritus Faculty at BYU. He received many awards such as Utah’s Top 100 Artists by the Springville Museum of Art, the Governor’s Award for Art from the Utah Arts Council, and was inducted into the U.S. Art magazine’s Hall of Fame. Christensen and his wife, Carole, were co-chairs of the Mormon Arts Foundation. BYU illustration professor, Robert Barrett worked closely with Christensen. “Jim Christensen will certainly be missed as a creative contributor to the art world and to our community,” Barrett said. “Prior to his retirement, Jim taught and advised a number of students in the Illustration Program and was an effective teacher and mentor. While on the faculty at BYU, he would frequently visit the Illustration classes and following his retirement would open his studio for visits by the Illustration faculty and students.” Christensen wrote several books including: A Journey of the Imagination: The Art of James Christensen (1994), Voyage of the Basset (1996), and Rhymes and Reasons (1997). His work has been featured in many other books, including A Shakespeare Sketchbook (2001), which he illustrated. “In addition to his fantasy work, Jim contributed his creative energies to temple murals for the Nauvoo and Provo City temples as well as several scripturally based paintings and illustrations, Barrett said. “His impact on BYU and its creative culture as well as on the LDS Church as a whole will continue to be felt for years to come.” Christensen is survived by his wife and five children, two of whom, Cassandra Christensen Barney and Emily Christensen McPhie, are also alumnae of the College of Fine Arts and Communications at BYU and are notable artists.

Seduction, deceit, wild living, death. No, not the latest HBO Drama–these themes are just a few that the 11 student illustrators from BYU’s Senior Studio Design class attempted to capture for BYU’s upcoming performance of Manon, an opera about how the desire for fleeting pleasures results in one young woman’s regretful choices. Guiding the students through the process of creating the concert poster is Professor Robert Barrett. Barrett explained that his class is one of the last chances students will have before graduation to create commissioned pieces with a mentor. “It raises the level of expectation for the students. They work pretty hard on it,” said Barrett. “I think they put their best foot forward.” While not exactly a professional commission, the project gives students the experience of meeting a client’s expectations. Students consulted with opera director Lawrence Vincent and then researched the opera more themselves to best understand and portray its essence. More>>>>

BYU illustration professor Justin Kunz has given Lady Liberty a complete makeover while designing a new collectors item coin for the US Mint. The American Liberty 2015 High Relief 24-karat Gold Coin was highly anticipated by coin collectors across the U.S. It features a newly re-imagined Lady Liberty meant to reflect modern sensibilities including increasing cultural diversity. Unlike previous representations, Kunz’s is a woman whose features–from her physicality and dress to the items she is holding–represent an attempt to bring a contemporary sensibility to a traditional American icon. “It was difficult to portray Lady Liberty as a modern figure,” Kunz said, “I studied, sketched and finally, meditated on what Lady Liberty represents. I wanted the idea of her to be a simple visual statement expressed in an elegant way.' 'I wanted her to be recognizable as Liberty. I didn't want to put her in a hoodie.' As you look at the coin, you notice that Kunz’s Lady Liberty has a more rounded face with smaller, less pronounced eyes, nose and ears. Her robes are more fitted with a V-neck. Instead of a crown with spikes representing the seven seas, the modern Lady Liberty is crowned with the laurel leaf representing victory. In her left hand, she holds the staff of an American flag that flows behind her and in her right hand she holds a torch meant to represent freedom. Kunz drew upon his experience as a professional illustrator, developing drawings in graphite based on his rough sketches and photographs of two different models who posed for Liberty. He then scanned the drawings and used 2D graphics software to edit and arrange the images with typography in a circular format. At one point Kunz had Lady Liberty depicted with a drawn sword, though he was concerned reviewers might feel this pose would appear too combative. Fifteen talented artists submitted their designs for the coin and only two were chosen, one for the obverse (front) and one for the reverse (back). The Citizens Coinage Advisory Committee and the U.S. Commission of Fine Arts reviewed all of the designs and made their recommendations, but ultimately it was up to the treasury secretary to decide which design would be minted on the coin. In the end, the secretary chose Kunz’s design for the obverse where his initials now reside. “It was an exciting experience to listen in on the CCAC’s meeting while they evaluated the designs,” Kunz said, “When they came to my design each member of the committee seemed to understand what I was trying to communicate, which is thrilling for an artist.” Although having his design chosen for the new coin is an honor few artists can say they’ve achieved, it’s not the first time Kunz’s work has won over an audience. Kunz’s designs have been featured on the following coin as well. 2008 Andrew Jackson’s Liberty (reverse) Kunz continues to work with the US Mint designing coins and medals. Next year, in 2016, a new America the Beautiful Quarter designed by Kunz with a depiction of the Shawnee National Forest will become available. It may even end up in your pocket. “It’s such a privilege to work with the US Mint.” Kunz said, “My skills and creativity as an artist have grown while working with them and it’s very rewarding to have my designs seen by thousands of American collectors all over the US.” The new coin, which will be limited to a mintage of 50,000 units, has an official denomination of $100, but is sold for nearly $1500. Initial inventories of the coin were sold out within the first day of its release and it’s on backorder until October. PHOTO CAPTION: Justin Kunz designed the new Lady Liberty on the coin for the US Mint. Photography by: Mark A. Philbrick/BYU. Copyright BYU Photo 2015. All Rights Reserved photo@byu.edu. From BYU News

The dream of starting a successful children’s publishing company is finally coming true for BYU graduates Ben Ehlert and Mitch Stevens, as their company, Dreamling Books, prepares to release its first book. The Boy Who Spoke To The Earth is a children’s book written by adventure photographer Chris Burkard and illustrated by Disney interactive artist and alumnus of the illustration program, David McClellan. The story follows a young boy who is on a long and difficult journey to find happiness. With the help of the Earth, the boy travels far and wide as the Earth show him his greatest creations. In the end, the boy discovers that there is happiness all around him and that he just needed to open his eyes. “This is our first book and we couldn’t be more excited about it,” said Stevens. “The Boy Who Spoke To The Earth is very inspirational and has great messages for both kids and adults. It encourages them to explore the outdoors and find joy in the journey.” Dreamling Books | Our Story from Dreamling Books on Vimeo. While studying at BYU, Ehlert and Stevens took Writing for Children and Adolescents from English professor Rick Walton. Professor Walton’s class affected them in such a strong way that they both became passionate about children’s publishing. “If it wasn't for Rick Walton, I never would have let the idea writing stories even become a reality in my mind,” said Stevens. “The first time I ever read one of my stories out loud was in his class, everyone laughed and applauded. I was shocked. But that was the first time I felt accomplished in story writing. It was an amazing feeling that has stuck with me over the years.” Elhert and Stevens’ friendship with Walton and their love for BYU is still strong as Dreamling Books continues to work with both the illustration and editing programs here at BYU. “We have been super lucky to work with the BYU editing and illustration programs,” said Stevens. “We pull many of our interns from both these programs. I know that BYU helped cultivate our dreams while we were here. I think that we are just trying to pass this message along to others.” Dreamling Books is currently running a Kickstarter to help raise funds to publish its first book. To help support Ehlert and Stevens’ cause and get your own copy of The Boy Who Spoke To The Earth visit their page here. The Kickstarter ends on April 3, 2014.

A Brigham Young University illustration graduate’s work is being showcased in the March issues of all four magazine publications put out by The Church of Jesus Christ of Latter-day Saints. Katie Payne has always enjoyed drawing, but it was during her time at BYU that she was introduced to artists and techniques that expanded her horizons and got her excited about pursuing illustration professionally. For her, going from drawing for fun to drawing professionally has come after hard work and effort. That hard work and effort is now paying off as the March issues of the Friend, the New Era, the Liahona and the Ensign will all include pieces of her work. “It wasn’t easy, but I finally worked up the nerve to contact the Ensign’s art director so that I could present some of my work and hopefully get a commission,” said Payne. “Incredibly, that contact led to me going into magazine headquarters for an interview where I presented three pieces that I had specifically made to show them that I could do the job right. It turned out that they loved them!” Payne graduated from BYU’s Department of Visual Arts in the summer of 2012 and has since continued to refine her skills by working on personal projects and entering various competitions. She will soon be submitting her depiction of Mary washing Jesus’ feet to the 10th International Art Competition at the Church History Museum. In the future, Payne hopes to design a book cover for one of BYU’s alumni, Brandon Sanderson’s novels. “I’m a long way from that,” said Payne. “But a girl can dream!” To see Payne’s March magazine illustrations, click here, here and here.

Encompassed by the cold of winter’s night, soldiers on both sides of the line gradually peered beyond their own trenches, captivated by a violinist’s tune of “Silent Night.” One hundred years ago, a series of widespread but unofficial ceasefires along the Western Front of World War I led to what is now known as the Christmas Truce of 1914. In commemoration of this historic centennial, the work of Brigham Young University Illustration professor Robert T. Barrett has been chosen to bring to life what happened that Christmas as part of a worldwide peace initiative called the Christmas Truce and Flanders Peace Field Project. As part of the initiative, eleven of Barrett’s illustrations have been presented to the mayor and people of Messines, Belgium. “Most people think that the Christmas truce was a small, incidental event,” Barrett said. “But it actually went about two thirds up the militant line, all the way into Germany, France and Belgium. It was a massive showing of Christmas spirit, with Messines as the epicenter.” Having found motivation and meaning from his own family’s relationship with the events surrounding World War I, Barrett encapsulates the sober background of war-torn Europe with the powerful and poignant story of soldiers who laid down their weapons to exchange gifts and special holiday traditions. “If you can make the project personal to you, you will see it reach more people and it will be much more meaningful. My family’s ties to World War I did that for me on these illustrations,” Barrett said. “The thought of a German soldier standing up to play the violin when he could have been shot touched me. That kind of message reaches people.” Barrett first developed the illustrations for a children’s book, “Silent Night, Holy Night,” which includes choral additions from the Mormon Tabernacle Choir and narration from Walter Cronkite. “It’s not often that your illustrations have a second life,” he said. The illustrations have since been used for additional harmonious celebrations such as Peace Quest, an organization that seeks to mark the anniversaries of World War I with commemorations that emphasize peace. Soon the eleven original pieces will be permanently installed in the crypt of St. Nicolas Cathedral in Messines, Belgium. It was in the crypt of St. Nicolas that Adolf Hitler recovered from wounds he received at the “Bethlehem Farm,” a farmhouse that continues to stand erect in Messines. Although he was based in Messines at the time, Hitler refused to take part in the spontaneous Christmas truce because he considered it dishonorable. Don Mullan, the force behind the Christmas Truce and Flanders Peace Field Project, said about the history and hope of Messines, “We intend to make Messines the antithesis of all that Hitler represented. And, as we remember World War I, commemorate peace.” Barrett hopes this project will illustrate the truce for what it really was, an epoch of peace in a time of war, inspired by a sense of common humanity and the Christmas spirit.

A BYU illustration student’s work is helping to showcase the program as one that challenges, strengthens, and provides students with a context that allows them to develop a personal voice. Miranda Meeks credits her soon-to-be alma mater as the springboard for her recent success. Since coming to BYU, she has worked with clients like Popshot Magazine, Spirituality & Heath Magazine, Diesel Apparel and Issimo Productions. “The art program here at BYU is so inspiring! It gives us more to work with than what traditional art schools offer because of the interactions with other majors and programs,” Meeks said. “The spiritual aspect of the school has also helped me view my art differently.” Meeks’ art has been featured and honored in a number of different exhibitions over the past two years. In fall 2014 she participated in Light Grey Art Lab’s Skate or Die exhibition in Minneapolis, MN. At the same time, two of her works were included in Gauntlet Gallery's Digital Renaissance exhibit, and another piece featured in a front-page linked article on ConceptArtWorld.com in April 2014. In 2013 her piece, The Gardener was selected by a panel to be printed in American Illustration 32, a national competition selecting only 369 of 8,742 entries to be included in the hardcover annual published worldwide, with winning works also appearing on The Archive at ai-ap.com. When asked how she balances school, work and being a mom, Meeks encouraged persistence. “It gets hard trying to balance work and life, but if you just keep working at it things will pick up,” Meeks said. “For me, it helps not trying to be all things at the same time. When I’m working, that’s what I’m doing. When my girl’s awake, then I’m being a mom.” Meeks’ work contains soft and detailed drawings, beautiful images, and subjects of mystery, growth, and transformation. Owing much of her inspiration to the likes of Alfred Hitchcock and Chris Van Allsburg’s The Mysteries of Harris Burdick, she hopes that others will be able to recognize the beauty behind mystery. After graduation Meeks plans to continue her career as an illustrator, in addition to being a wife and mother.

Interview by Nicole Vance of the Department of Visual Arts This month, Andrew Zundel, an Illustrator student and Wheatly scholarship recipient, answered questions about his experiences in New York City. How did you find your your work with Peter de Seve and your weekend work helping at Brooklyn galleries? Honestly it is all about putting yourself out there. Bethanne Andersen asked me in an internship meeting last December who I would like to work with, and when I told her Peter de Seve. We called him right up and asked. As for my work with the gallery, I contacted everyone I knew in New York asking for advice about city living and work experience, and gallery director and non-profit founder Jason Andrew generously offered to mentor me through several projects and events in his art circles. What is it like working for one of your favorite illustrators? Typical days working with Peter are very exciting, enriching and inspiring. There are some simple chores I perform, like organizing artwork and filing it, but that has been very enriching and inspiring on its own. Peter also has me scan in current drawings and characters he is working on, cleaning up the images in photoshop and tweaking some of the levels to punch out the color and contrast, and then get them ready to send to the different studios he is working for. And then I would get to sit down and have lunch with him, picking his brain about obstacles and triumphs that have shaped his career, ideas he has for me to strengthen my work, and just hilarious occurrences that he has come across as a professional. What is it like working in NYC galleries? As for working with Jason Andrew, I have been plunged headlong into the fine art world. On a typical day I sit in one of his galleries, helping people who come in learn about the shows going on, and occasionally selling artwork and catalogs. I was also put in charge of running all of their social media accounts; updating Twitter feeds, Facebook accounts, and their websites; adding new subscribers to their mailing list, and keeping orders and requests organized. I also have been helping in collaboration books between artists and authors. They give me their respective work, images, poetry, or literary works, and I work with them to create layouts for their books. What is your favorite part of living in NYC? Honestly it’s the food. Any delectable flavor, style, ethnicity, or quantity of food you like can be found. And it’s everywhere! Also I love the museums! There are so many, and they are all stuffed full of outrageously awesome stuff. If there is ever a time you feel uninspired, or are in a creative rut, a couple hours in any of the museums here can spark the imagination and fill you with great ideas.