The lecture will take place on November 5 at 11 a.m. in the Madsen Recital Hall and will be streamed online

Arts production and dance departments join forces to produce weekly virtual performances

Guest speaker Melissa Inouye outlined potential steps in the quest for anti-racism

The Design Kids competition encourages young designers like McCall Keller to create new designs and show off their talents

The research of new genre artist Tiana Birrell revolves around the intersection of materiality and immateriality, and the internet as a new type of consumerism

Eliza and Taft Robinson are applying their BYU dance education to their current jobs as elementary school teachers.

Group hopes online performance of “Sevilla” will be one of many

From fine craft to fine art, installation artist Pam Bowman has always been a maker of things

Meet alumni enriching their communities through service.

For artist Linn, drawing is more than a preparatory skill; it is a meditative state of mind and a process of trying to slow down time

Home builders. Survivors. Trend-setters. Fighters. Standing in the gallery of BYU’s Museum of Art, students can almost hear them whispering from the walls. They are 58 remarkable female artists, and their messages of inspiration and hope are featured in the MOA’s “A Studio of Her Own” exhibit, which closes this week. “We had no idea that 2020 would be such an unexpected and unprecedented year with the pandemic, and with earthquakes and fires and racial unrest,” exhibition curator Janalee Emmer said. But in the paintings, she said, “there’s a lot of relevance for today’s moment.” “A Studio of Her Own” celebrates 110 works by female artists of diverse backgrounds and faiths. Some of their pieces celebrate racial diversity, like the vibrant quilt “Subway Graffiti #3” by prominent Black artist Faith Ringgold, who grew up in Harlem. The piece features superstars like Diana Ross and Michael Jackson as well as the faces of Ringgold’s own friends and family members. Emmer said the unique piece “Blanket Stories,” which features a tower of colorful handwoven blankets, speaks to the universal struggle for identity through the experiences of its creator, Marie Watt, the daughter of a native Seneca mother and a rancher father.

Video Compilation of “Nearer, My God, to Thee” Breaks New Ground in Virtual Performance