Alumni

Founded by three BYU art alumni, Utah’s newest contemporary art platform aims to create opportunities for working artists within the state

The research of new genre artist Tiana Birrell revolves around the intersection of materiality and immateriality, and the internet as a new type of consumerism

From fine craft to fine art, installation artist Pam Bowman has always been a maker of things

For artist Linn, drawing is more than a preparatory skill; it is a meditative state of mind and a process of trying to slow down time

Growing up on a small farm in Highland, Utah, Michael R. Workman (BFA ’86, MFA ’92) knew just what he wanted to do with his life: “Move to a rural area and paint the land. And I’ve been able to do exactly that.” Workman credits his BYU professors not only for teaching him the elements of art but for helping him believe he could make a living with his brush, which he does from his home in Spring City, Utah. “I approach landscapes with a poetic sensibility,” says Workman, who paints in the early-morning or late-evening light. “I’m trying to subtly communicate the spiritual qualities of the land.” Citing artists as eclectic as Rothko and Van Gogh as influences, Workman feels a special kinship with the tonalist painter George Inness, who felt the world was a profoundly spiritual place. “I never set out to be a tonalist, but that is what I seem to be,” he says. His treatment of landscapes shows a reverence for the places and subjects he depicts: “I hope my faith and belief in something beyond this life come through.” See the full article written by Andrew T. Bay at magazine.byu.edu.

Photographer Kendal Bryan seeks moments of quiet movement in her images

As Thomander’s view of success expands and the lines between art and non-art blur, new creative possibilities emerge

From a young age Shawna Calder Tenney (BFA ’04) has given life to her imagination through art—be it drawing, ballet, or music. Ample library time, her mother reading to her, and a love of fairy tales turned her interest particularly toward picture-book illustration. Today, as a BYU illustration grad, Tenney is telling stories of her own, like Brunhilda’s Backwards Day. a children’s book published by Sky Pony Press in 2016. The story, about a witch who learns that being kind can be more fun than being mean, “came from a game called Opposite Witches I’d play with my friend , where everything we did was opposite,” says Tenney. Read more at magazine.byu.edu

Department of Design graduate Andy Erekson released short film “Marooned” last summer

2017 BFA graduates Hannah Decker and Adam Rallison share their experiences with fundraising project Australi-Aid

The Harold B. Lee Library had some unusual visitors in October. Just inside the east doorways, miniature patrons admired postage stamp–sized art in one of alumna McKay Lenker Bayer’s (BA ’18) latest Tiny Art Shows. She held her first back in 2016 for a BYU art class, hanging self-made bitty art a few inches off the ground on Provo’s Center Street. Bayer added the final touches—a tiny spotlight and magnifying glass—and staked out a spot to watch. “I was amazed by the reaction—people squealed with joy, even lay down on the dirty sidewalk to get a good look,” says Bayer. See the full article by Lauren K. Lethbridge at magazine.byu.edu.

Raised in Moscow, Idaho, John P. Snyder (’99) was shaped by the landscape around him. “The hills of the Palouse region of Idaho are the residue of violent processes. Airborne dust from volcanoes, massive floods, and glaciation built soil that has become one of the world’s most productive agricultural areas,” notes Snyder. “I grew up looking out into the undulating hills and wondering, ‘What is out there?’” It’s a question the former BYU photographer is still trying to answer. After years of shooting images of BYU’s campus, people, and happenings (1984–99), including innumerable images published in this magazine, he moved back to Idaho in 2007 to explore the contours and preserve the spirit of his homeland. Read the entire article in BYU Magazine's Winter 2020 issue.

Wish Fulfilment is at the Heart of Art-Making for Ceramist Gian Pierotti

Greg S. (BFA ’17) and Jean Mcfarland Bean (BA ’17) were BYU dropouts. After a baby and an illness derailed their studies in the 1980s, they decided to leave BYU and head to Washington state. Greg, who had been working nights in Utah with the Springville Police Department, got a job as an officer in Bellevue, Washington, and was eventually promoted to detective. One day his lieutenant ordered him to a weeklong forensic-art class. Then a self-described “art imbecile,” Greg hadn’t put pencil to paper since middle school; this class began a lifelong journey into art. The teacher began by saying that art isn’t about the pencil in your hand, but about what you can see. Those words “literally changed my life and changed the way I saw people,” says Greg. By the end of the week, he could draw “a decent-looking human head,” and by the end of his career on the force, he had become the foremost forensic artist in the Seattle area, helping apprehend scores of criminals with his composite sketches. Meanwhile, Jean developed her own native interest in art. Thirty years after leaving Provo, the Beans received a clear prompting that, even though it was early, it was time for Greg to retire from the police force, and even though it was late, they needed to return to BYU. Read more at magazine.byu.edu More About the Beans “We work on commissions in our home studio together, we go out and paint together, we go to museums together,” says Greg about spending time with his wife, Jean. Their mutual love of art has provided a way for the Beans to grow together, including getting their art degrees at BYU as older students after early retirement. They’ve traveled to galleries all over and spent countless hours discussing artists and paintings. View some of their work at magazine.byu.edu

Hit-making Nashville-based singer-songwriter Ben Rector will be the featured talent for BYU Spectacular! 2019, along with prolific LDS-Christian crossover artist Hilary Weeks. The headliners will also be joined by Vocal Point, Men’s Chorus, Young Ambassadors, Ballroom Dance Company, Cougarettes, International Folk Dance Ensemble and the BYU Dunk Team as part of BYU Homecoming 2019. BYU Spectacular! offers two performances: Thursday, October 17, and Friday, October 18, 2019 at 7:30 pm. Tickets for the general public go on sale July 15th at BYUtickets.com, with advance ticket sales for BYU alumni and students and BYU ArtsPass holders the week prior. Read more at news.byu.edu

Art education grad devotes career to serving the most underserved students

Heidi Somsen grew up in British Columbia, where she played regularly in the ocean and gathered items from along the coast. Her innate interest in the earth and materiality drove Somsen to become an artist, but it wasn’t until she took her first foundations class at BYU that she recognized her love for 3D mediums. When Somsen graduated with her BFA in 1995, her oldest child was three years old. Determined to keep making art in the midst of raising young children, Somsen created wherever she found space—“whether the kitchen table or my little basement studio”—and continued to participate in one or two shows each year. Years later, Somsen said her artwork is a form of spiritual practice, as well as a way for her to process life “and all the big ideas in our human existence.” Read the full story at art.byu.edu.

Amber Richardson uses art as a means of exploring her questions. She began to develop questions about the doctrine of Heavenly Mother — one unique to The Church of Jesus Christ of Latter-day Saints while studying theater at BYU. “I wanted to know who I was,” said Richardson, who graduated from BYU in 2013. “If some aspect of my femaleness is an eternal part of my existence, how do I know who I am if I can’t see who (Heavenly Mother) is?” Richardson and photographer Anna Killian are looking for answers to this question through their collaborative project, “Woman, Crowned.” The project, which the pair said they hope to publish as a book in 2020, combines research, prose and photography to explore how scriptural queens act as archetypes for Heavenly Mother. Richardson said she hopes this project will be an “access point” for anyone looking to learn more about Heavenly Mother. Read the full story at universe.byu.edu.