Awards and Achievements

https://www.youtube.com/watch?time_continue=2&v=_1tll0J8GCY This fall a new exhibit at the Smithsonian Museum features 46 portraits taken from photographers all across the country. But only one of the 46 pieces of art displays not one, but two artist names: Paul Adams, a BYU professor, and Jordan Layton, a former photography student. Their work will be presented in “The Outwin 2019: American Portraiture Today,” a major exhibition premiering at the National Portrait Gallery. Every three years, artists living and working in the United States are invited to submit one of their recent portraits to a panel of experts chosen by the museum. The works of this year’s 46 finalists were selected from over 2,600 entries. The BYU duo’s portrait that is accepted for display in the Smithsonian is called Florence, one of the last speakers of Alutiq. It is a piece from their project “Vanishing Voices” and will hang in the National Portrait Gallery for a year and a half before going on tour for two years. Read more at news.byu.edu

https://vimeo.com/295876694 BYU’s highly esteemed Center for Animation became even more reputable when the short film “Grendel,” directed and produced by BYU animation students, recently won its sixth Student Academy Award. This year, the Student Academy Awards competition received a total of 1,615 entries from 255 domestic and 105 international colleges and universities. Only 16 entries received an award. Student director Kalee McCollaum and student producer Austin Rodriguez worked with approximately 40 students to make this film a reality. Thousands of hours went into the project which was supervised by professors Kelly Loosli and R. Brent Adams. The story of “Grendel” is a reverse telling of the classic Beowulf tale where Grendel, the friendly monster in the film, is joined by rowdy Viking neighbors who harass him. He slowly starts to retaliate until he realizes he’s the one who has become the monster. This realization spikes a change in character as he chooses to help save the Vikings from other creatures. Read more at news.byu.edu, sltrib.com or usatoday.com

BYU art students received recognition and scholarships during the department’s annual awards night on Wednesday, April 17. A total of 91 awards were granted to current students and incoming freshmen, including many half or full scholarships. Julian Harper (BFA), Annelise Duque (BFA) and Chloe Welch (Art Education) were recognized as this year’s outstanding seniors. Three juror’s choice awards for the student show were selected by Laurie Sloan, associate professor of art at the University of Connecticut. The recipients were Annelise Duque, Laurel Galli-Graves and Annie Wing. Six additional students received honorable mentions from Sloan for their work, including Gwen Davis-Barrios, Samuel Everett, Rachel Henriksen, Bette Benson, Steven Stallings and Ricey Wright. At the end of the night, the following five students were granted open studio cash awards by the faculty: Annie Wing, Rachel Henriksen, Carrie Jube Everett, Gwen Davis-Barrios and Fiona Barney. Read the full story at art.byu.edu

Ainsley Rose Romero, a senior at Brigham Young University graduating in graphic design, beat out students and young professional graphic designers from around the country to win Command X, the graphic design equivalent of Chopped, American Idol or The Great British Baking Show. CommandX is sponsored by AIGA, the largest professional association for design in the United States, and was held at its annual design conference in Pasadena, CA, earlier this month. Finish reading the story at BYU News.

Each year, world-renowned publishing company Graphis Inc. recognizes the work of up-and-coming design students during their New Talent Annual. This year, they received 1160 submissions from around the world and chose to recognize 22 of the 25 projects sent in by BYU. Design major Todd McAllister was the only student from BYU — and one of just 21 students total — to walk away with the annual’s highest honor: the Platinum Award. “I was pretty surprised when I found out that I had won the award,” said McAllister. “It’s nice to get some validation after working hard on a project like that. There are a lot of great designers that submit to Graphis each year, so it was a significant personal achievement to win an award against such tough competition.” The designs that won McAllister the award were for Dwell Magazine. McAllister was tasked with re-designing the magazine’s current cover in a way that was aesthetically pleasing but still on-brand. McAllister’s approach to the project was centered on his love for clean, uncluttered design. “I seem to be drawn to simple, minimalistic design because it leaves me with a sense of awe or piques my interest somehow,” said McAllister. “The design direction was inspired by wanting to achieve that same feeling in a magazine cover.” McAllister said he isn’t sure exactly what set his designs apart from the rest of the competition, though his guess is that it was how well the designs paired photos and text. “In my opinion, a lot of beautiful cover photographs are ruined with really busy headlines and other text elements,” said McAllister. “I think that trying to reduce that as much as possible so the photos can speak for themselves might have set my designs apart from the rest.” While McAllister’s designs may have been simple, the creative process that led to the finished pieces was not. He repeatedly designed covers and critiqued them until he settled on three final designs. McAllister said his favorite part of working on the project was figuring out the title part of the design. “I had been through tons of iterations that didn’t seem to feel right, but something about the lowercase masthead placed vertically along the side of the cover seemed to click, and then things sort of fell into place from there,” said McAllister. His experience working on the designs and winning the award impacted McAllister in a lasting way. “I definitely think this experience will have a positive impact on my future career,” he said. “If nothing else, it has helped me feel a bit more confident in my abilities, which is pretty vital to creativity.” After graduation, McAllister doesn’t imagine his future as a concrete, five-year-plan type of journey. “My future career goals basically involve waking up everyday excited to work on whatever project I have,” said McAllister. “I guess I don’t really have a specific position or place I want to be in, I just want to be excited about the work that I’m doing while pushing the boundaries of what I’m able to do.” For now, McAllister and the other students who were honored by Graphis Inc. are waiting for their work to be published in the hardcover version of the New Talent Annual, which comes out May 1, 2019.

BYU's animation bachelor of science program was ranked first in the nation by Animation Career Review in 2018. Read more and see some of the animation students' best work in BYU Magazine.

It’s a good year for BYU’s Center for Animation: in May BYU animation students won E3’s College Game Competition, and now BYU tops the Animation Career Review’s ranking of animation schools with Bachelor of Science programs. BYU’s animation program is comprised of students in both the animation track (BFA) and the computer science animation emphasis (BS). Before they graduate, students work either on the animated film or the video game that is produced each year. The animation students typically focus on design, while the computer science students focus on special effects. Read the rest of the story on news.byu.edu.

By Colin Wylie Posted April 13, 2018 in Department of Design

Julian Harper wins the BLOOOM Award by WARSTEINER and was featured as a finalist in a special exhibition at Art Düsseldorf

The BYU Arts Creative team has done it again! Last summer, they won several awards from the 45th Annual Design Competition of the UCDA. On February 26, 2016 they were awarded a Grand Gold Award and a Bronze Award of Excellence from the Council for Advancement and Support of Education (CASE) District VII. BYU Arts Creative received the Grand Gold Award in Design and Photography for the Contemporary Dance Theatre Poster created by Nick Mendoza and student designer, Sam Reed. Reed is a senior in the BFA Graphic Design program and had the opportunity to oversee the project from start to finish. “It was great to collaborate with the dance department, Nathan Balser, and photographer, Christopher Peddecord. They are great clients to work with,” Reed said. The Grand Gold Award is only presented to exemplary Awards of Excellence submissions where the gold awards from each category are judged a second time. Mendoza and Reed received one of only six Grand Gold Awards given. “We are grateful to win and be recognized with other prestigious universities such as Berkeley and USC. Sam and I have a great working relationship that has produced some great designs over the years,” Mendoza said. “I have been able to see him grow as a designer and I’m excited for his future.” The team also won a Bronze Award of Excellence in poster design for the Jazz Showcase Poster, designed by a recent graduate, Nicolina Brown. Out of more than 500 entries this year, only 195 gold, silver and bronze winners were selected. BYU Arts Creative consists of a team of students that supports all of BYU Arts productions by preparing the marketing materials, including graphics, posters and programs. Nick Mendoza, creative services manager for BYU Arts, oversees the students and regularly submits their work for awards. Several works from BYU were chosen in various categories. See a complete list of the Awards of Excellence here. http://www.casevii.org/Documents/Districts/DistrictVII/DVII_Awards_Excellence_2016.pdf

Breaking the Class Ceiling, a College of Fine Arts and Communications interdisciplinary project, has continued on its award-winning run by receiving a gold recognition in the 45th Creativity Student Media & Interactive Design Awards. Across the world, economic and social disadvantages continue to hinder the advancement of hard-working men and women, a concept known as a “glass ceiling,” or the “class ceiling.” A group of BYU students would argue that for Chile, one of the biggest obstacles is free, quality public education. Motivated by personal connections to the people and a sense for the gravity of the situation, an interdisciplinary team of students and faculty from BYU’s College of Fine Arts and Communications, in conjunction with the Laycock Center for Creative Collaboration in the Arts, traveled to the country for two weeks and gathered information about the reform of higher education from students at Universidad Mayor, a Chilean private university. “Being from Chile, this was a great opportunity for me to cover something that I have personally been involved in,” said Ricardo Quintana, one of the students who participated in the project. “This is an important issue and society should be involved in its improvement.” Since compiling and presenting the gathered information, the project has won numerous awards and highlights the learning opportunities available to students at BYU’s College of Fine Arts and Communications. Quintana added, “Our work is significant because it shows how coveted education is outside the U.S., where it typically is not nearly as accessible. Kids and young adults are raising their voices against the government through different forms of protest because they feel they have a right to free education.” This project explicitly asks: should a college education be an implicit right for everyone? No doubt due in part for the hard questions that it asks, Breaking the Class Ceiling has recently been announced as a national finalist of The Society of Professional Journalists 2014 Mark of Excellence Awards and a gold winner in the 45th Creativity Student Media & Interactive Design Awards. “It is great to see that our work is being recognized,” said Shelbi Anderson, another student participant. “I was gratified to hear these stories firsthand, but getting recognized a year after we actually went to Chile makes it feel like we have had an impact after the fact.” These awards were given based on excellence in challenging criteria. For the Creativity International Award alone, entries came from 16 countries, 2 Canadian Provinces and 20 U.S. States. Student participants included: Shelbi Anderson (Journalist) Ricardo Quintana (Cinemaphotographer) Jared Jakins (Cinemaphotographer) Jeff Wade (Graphic Designer/Web Support/AV Support) Faculty advisors included: Brent Barson Jeff Sheets Ed Carter

Director of 'Frozen' mentors, Disney/Pixar president praises 'Ram’s Horn' The tradition continued for BYU Center for Animation students, who won their 17th award in 12 years from the College Television Awards, commonly called the “Student Emmys.” This year’s animated short was Ram’s Horn, a comedic piece documenting the ascent of an oblivious, cocky mountaineer on a quest to the peak of a daunting mountain. He faces a few obstacles along the way against an unexpected rival, but in the end meets his goal while learning an important lesson about getting his priorities straight. only called the “Student Emmys.”

BYU’s premier a cappella group recognized for best male collegiate album and best religious song in prestigious a cappella recording awards

The BYU Department of Design wrapped up this year’s Graphis awards with 19 of their 21 entries selected to be featured in the Graphis magazine.

A Brigham Young University illustration graduate’s work is being showcased in the March issues of all four magazine publications put out by The Church of Jesus Christ of Latter-day Saints. Katie Payne has always enjoyed drawing, but it was during her time at BYU that she was introduced to artists and techniques that expanded her horizons and got her excited about pursuing illustration professionally. For her, going from drawing for fun to drawing professionally has come after hard work and effort. That hard work and effort is now paying off as the March issues of the Friend, the New Era, the Liahona and the Ensign will all include pieces of her work. “It wasn’t easy, but I finally worked up the nerve to contact the Ensign’s art director so that I could present some of my work and hopefully get a commission,” said Payne. “Incredibly, that contact led to me going into magazine headquarters for an interview where I presented three pieces that I had specifically made to show them that I could do the job right. It turned out that they loved them!” Payne graduated from BYU’s Department of Visual Arts in the summer of 2012 and has since continued to refine her skills by working on personal projects and entering various competitions. She will soon be submitting her depiction of Mary washing Jesus’ feet to the 10th International Art Competition at the Church History Museum. In the future, Payne hopes to design a book cover for one of BYU’s alumni, Brandon Sanderson’s novels. “I’m a long way from that,” said Payne. “But a girl can dream!” To see Payne’s March magazine illustrations, click here, here and here.

The Wall Street Journal

With more than 1,000 entries from 20 different countries, five BYU design students have defied the odds and have reached the semifinals in the 14th annual Adobe Design Achievement Awards.“The Adobe Design Achievement Awards feature work from some of the most innovative and talented students around the world. We are privileged to honor such incredible talents and to help launch their careers,” said Tacy Trowbridge, worldwide manager of Education Programs, Adobe. “Congratulations to all the students for their creative accomplishments!”

Amanda Jane Jones, a 2009 graduate from the BYU Department of Visual Arts (DVA), is the lead designer for Kinfolk, a quarterly publication that recently received national attention from a review in the New York Times.