media arts

Music and the arts have always been a huge part of Marina Polonsky’s life. She was was born to a family of singers in Zaporozhye, Ukraine. Polonsky's brother is a singer and composer and her parents are singers who used to travel all over the USSR on live tours before they opened their own restaurant business. The family’s artistic influence led Polonsky to be passionate about stories, hoping that one day she would be able to inspire others with her creative talents. This week Polonsky will graduate in Media Arts from the BYU College of Fine Arts and Communications in the Department of Theatre and Media Arts. Though it’s been hard living so far from family with the current tension going on between the Russian and Ukrainian government, she has enjoyed her time here at BYU and has appreciated the change she has seen in herself. BYU News’ Holly Kendall spoke with this artistic grad to get her story. Q: What was it like coming to BYU? Did anything surprise you? Marina Polonsky: Coming to BYU (BYU-Idaho actually, I transferred after a year) was one of the most positive life-changing events for me. First of all, it was my first time out of the country, first time on an airplane, and I definitely never thought I'd have to study in a different language. By the time I arrived in the states, I could understand around 70 percent of what the people were saying, but I had to take some time before responding since I had to translate my thoughts and try to put them into grammatically correct sentences. At first, the main struggle was seeing the differences in how people view their life; seeing how much people have. I feel like a lot of people here don't realize how much they have, most people don't take advantage of all these opportunities. I am able to do so many things here that I would never be able to afford on my own in Ukraine no matter how hard I would work. Q: How did you come to the decision to major in Media Arts? MP: Growing up I've always been into arts, at first I wanted to become a writer, then a painter, but my father always told me I'd be poor and unhappy if I did those things. I was always focusing on finding something else that I was talented in, that would bring me money and something I would enjoy. Eventually, I started studying 3-D modeling and animation, and that's how I came to BYU. Everything started while I was at BYU-Idaho though, when I got an email from BYU-Idaho Broadcasting and their supervisor told me that I'm the only person on campus that they know of who can do 3-D animation. So they invited me in for an interview. I was hired on the spot, but after doing it for money, I quickly realized that it was last thing I wanted to do. And so did my boss. He saw that, to put it lightly, I wasn't motivated. And to my big surprise, instead of letting me go, he put me on one of the cameras for the upcoming show. I have never operated a camera before but it has always been one of my dreams. When I was behind the camera for that BYU-Idaho show, I realized that it felt more right than anything I did before that. I felt like I belonged, and that was the moment when I realized that I could study that and do it for living. Nothing made me happier career-thinking wise. I knew BYU had a good film program, so after transferring, instead of applying for 3D animation program, I applied for Media Arts. It's been my second home since then. Q: Why were cameras of such interest to you? MP: To be honest, since I was little, the world of cinema was one of the most mysterious and magical things to me. I never even thought one day I could be running one of those incredible machines called cameras. I mean, think about it, you can capture a moment and then 50-60 years later you can watch it! How neat is that? The career of a filmmaker has always been something I could never even consider seriously. I thought of other filmmakers as some chosen people in a secret society. Q: What is your main focus in Media Arts? MP: My main official focus is narrative directing, but I've been studying and practicing everything from writing to post-production and about all the main areas of the craft. I don't want to be limited in my ability to create art that affects people's lives. Q: What led you to have a love for the arts? MP: The reason I love arts, especially film, so much is because I love stories. Storytelling is incredible. It's so powerful. Movies and all kinds of arts have always been inspiring to humanity. A film can let you observe and see something for yourself from a new perspective. It can teach you something, make you think, inform you, make you laugh, cry, etc. Movies impact who we become. So that's what I want to do, I want to help people all over the world to become better people, to become more connected, understanding, inspired, more aware and informed. We have a saying in Ukraine 'informed means armed.' I think the world would be a much better place if more people would be simply aware of more things about each other. Q: How would you describe your journey in achieving your degree? MP: I would describe it as a journey of finding myself and as a re-realization of everything I knew before. Every day, I learn or re-learn something about the craft and the human nature. Everything is interconnected. It's amazing. There has also been a lot of pain and struggle in my journey, which is exactly what brought all the great realizations and happy moments. I can definitely say I'm a very different person now compared to the person who came to the United States, daring greatly to try her luck and see what comes out of it. Q: What are some of your fondest memories from the time you’ve been at BYU? MP: The best memories were the moments of mutual vulnerability. In other words, the best memories were when I was understood in my hardest moments, instead of being judged by people who barely knew anything about me and my struggles. The moments when people really did care and showed it. The moments when people truly wanted to hear me out with an open heart. The moments when I would get support unexpectedly from some of my teachers. I can't thank them enough for their caring, their kindness, and their wisdom. Q: What do you want to do after graduation? MP: I want to make movies, whether fiction or non-fiction, that will drive people to tears of happiness and many realizations. I hope to shift someone's paradigm. I hope that when people walk out of my movies (whether I write them, direct them, or edit them) they call their old friend, their parents, someone they haven't talked to in a while and tell them that they love them. I want them to be willing to be more vulnerable, to be willing to get uncomfortable sometimes, to be willing to say sorry first, to reach out first. I hope I can convince them that life is beautiful and worth it. The world just needs more kindness and I feel like if the sky were the limit, I would like to reach out to as many as possible worldwide. But even if I succeed in changing one person’s life for the better - it would be just as meaningful. Source: BYU News

See two of our TMA alumni with their family in this heartwarming YouTube video made for the Mormon Channel. For Ian and Melissa Puente, family time is always a busy time, thanks to their two sets of twin boys. Julian and Caleb are 7 years old, and Jack and Christian are 5 years old. All together, they make one happy family. Melissa graduated from BYU in 1999 with a degree in Film. In May 2006, she received a national Emmy for single-camera editing for the syndicated TV show 'Starting Over.' You can read more about Melissa's professional work at IMDB. Ian is a filmmaker, attorney, and vice-president of business development at Samuel Goldwyn Films in Los Angeles. Puente’s interest in film began when he was a child. He graduated from BYU in 1999 with a bachelor's degree in film. You can read more about Ian at the HFAC anniversary site.

Greg Whiteley, TMA alumnus is director of Most Likely to Succeed, an education documentary that asks: Why has our education system stayed the same while our economy has drastically shifted with technology? The film kicks off with a brief history lesson of the U.S. education system, which was largely geared toward producing factory workers for the industrial revolution.

Brigham Young University students and alumni took up much of the screen time at this year’s LDS Film Festival, highlighting the talent and skills being nurtured here. Christian Vuissa founded the festival in 2001 while he was still an undergraduate studying media arts studies at BYU. The festival is now a major event that showcases an impressive array of feature films, special screenings and short films. Although it was originally founded for LDS filmmakers to network with each other and showcase their work to an appreciative audience, the event has quickly turned into an opportunity for all likeminded individuals to promote their filmmaking trade. BYU students and alumni have taken part of the event every year since its inception. This year, three BYU alumni went home with awards from the festival: Third place in the Short Film Competition — Without a Rope, by Nick Dixon, who also received an audience choice award. Honorable Mention in Short Film Competition -White Earth, by Christian Jensen Third Place in the 24-Hour Filmmaking Marathon — Tooth Fairy: A New Hope, group led by Raven Alard “Winning these awards is a great recognition,” said Nick Dixon, the creator of Without a Rope. “It's nice to know the work we put into the film was appreciated and that our hard work paid off. A lot of time and energy went into making the film, so getting recognized is really gratifying.” Cokeville MiracleCokeville Miracle Other films made by Theatre and Media Arts students and alumnus included: Feature Films Freetown, Director: Garrett Batty; Writer: Melissa Leilani Larson, Garrett Batty; Producer: Adam Abel, Garrett Batty The Cokeville Miracle: Director: T.C. Christensen, actors included Kym Mellon, Barta Heiner Austenland: Director: Jerusha Hess; Writer: Jerusha Hess; Associate Producer: Jared Hess Meet the Mormons: Director, Blair Treu (Many media arts alums on the crew) Glimpses Beyond Death’s Door: Writer, Director, Producer: Brandon Smith; Executive Producer: Ron Brough The Heart of the Matter: Director: Jessica Mockett; Producer: Jessica Mockett, Nathan D. Lee, Jordan Harker; Director of Photography: Travis Cline Untitled Girl’s Camp Movie: Writer, Director: Maclain Nelson; Producer: Jake Van Wagoner, Lisa Clark, Hailey Smith, Clare Niederpruem; Executive Producer: Maclain Nelson; Director of Photography: Joel Remke; Production Designer: Anne Black Mythica: Director: Anne Black; Writer: Anne Black, Jason Faller, Kynan Griffin; Producer: Jason Faller, Kynan Griffin; Director of Photography: A. Todd Smith Survivor: Writer, Director, Producer: John Lyde; Executive Producer: Jason Faller, Kynan Griffin Short Films Newsies: Director: Jeff Parkin; Producer: Jared Cardon, Jeff Parkin, Babetta Kelly; Director of Photography: Jacob Schwarz White Earth: Writer, Director, Producer: J. Christian Jensen; Director of Photography, Editor: J. Christian Jensen Without a Rope: Writer, Director: Nick Dixon; Producer: Willem Kampenhout; Executive Producer: Tom Russell, Courtney Russell, Tom Lefler; Director of Photography: Gary Groth; Production Designer: Gina Thompson; Original Score: Spencer Russell; Editor: Jonathan Ying. Presentations and Panels Christian Vuissa Jerusha Hess Garrett Batty Studio C A complete list of all those honored at the festival can be found by clicking, here.

A new database of student created films is now available for use by Brigham Young University students and fans alike, the Department of Theatre and Media Arts announced on Friday at the Franklin S. Harris Fine Arts and Communications Center 50th Anniversary Gala. Created to allow all to see the student work created here at BYU, the database already hosts over 150 films and can be accessed online at studentfilms.byu.edu. More films will be added each week by the TMA department and alumni who wish to submit their former work. “This website is an effort to help show people what the BYU Media Arts program has done in the past and what we are capable of doing now,” said Kyle Stapley, Media Arts Program Coordinator and lead for this project. “By focusing specifically on student work that has been done here at BYU, we hope that this project will also act as a recruiting tool to help bring in additional talent to our renowned programs.” Brigham Young University has a long, rich history in the creation and education of film. BYU was one of the first universities to create a formal department for the production of motion pictures, founded in 1953. Currently, the BYU Media Arts Program and the Center for Animation have won over 30 National and Regional Student Emmys in the past 12 years making BYU one of the most well-respected Film and Animation programs in the nation. Those who visit the new website will find that there are different types of films to enjoy such as fiction, non-fiction and animation films. In addition to these, a portion of the website is dedicated solely to BYU Final Cut Films. These films are deemed the best student-produced, student-created fiction films, documentaries, commercials, and animations are created here at BYU. According to Stapley, these films include Mr. Bellpond, which won two Student Emmy’s in 2012, and even go back as far as The Phone Call and Johnny Lingo, films done through the BYU Motion Picture Studio back when the Motion Picture Studio was connected to BYU. “Another exciting option for those who visit our new website is to view the work done with Aperture, our student-ran journal of media arts,” Stapley said. “You can go here to read papers about media art, film, sound, etc. In this way we are able to combine critical studies with the actual production of film.” “Getting this website up and running in the format and in the depth that we have now is a great start,” Stapley said. “But, with the potential for additional opportunities that we are now realizing, we see this project getting much bigger in the future. Just to give you an idea, I know our students are starting to get really interested in creating web series. So, in the future, we might be using this website to launch those kinds of projects.”

Congratulations to our CFAC Theatre and Media Arts Alumnus, Christian Jensen, for the Oscar nomination of his film White Earth in the Short Documentary category. Jensen was also awarded the Jury Special Mention for Cinematography in a Documentary Short for White Earth, screened at the 2014 SlamDance Film Festival. White Earth also received the Full Frame Jury Award for Best Short at the Full Frame Documentary Film Festival in Durham, North Carolina. About White Earth Thousands of desperate souls flock to America’s Northern Plains seeking work in the oil fields. White Earth is the tale of an oil boom seen through unexpected eyes. Three children and an immigrant mother brave a cruel winter and explore themes of innocence, home and the American Dream. About the filmmaker J. Christian Jensen graduated from Brigham Young University in 2009 with a degree in Media Arts Studies. Jensen began working in media as a journalist — a passion that evolved into more creative work as a documentary and hybrid filmmaker. Between 2002 and 2006, he filled a variety of production roles on several short and feature-length fiction films including Together Again for the First Time and The Flyboys. In 2006, while pursuing a degree in Media Arts Studies at Brigham Young University, Jensen was awarded an Oscarson Discovery Grant which enabled him to relocate to Washington D.C. where he interned for National Geographic Television & Film. He also worked on PBS FRONTLINE and American Experience, and with the co-production of The Mormons. Between 2006 and 2010, Jensen continued to work in non-fiction helping to create The Soul of Kalaupapa, a documentary about the remote Kalaupapa leprosy (Hansen's Disease) colony on Molokai, Hawaii. He also worked as an editor and camera person at BYU Television International and was an editor on Messiah: Behold the Lamb of God, and Storytellers, which were both produced for BYUtv by Kaleidoscope Pictures. In 2008, Jensen received funds from ORCA, The Laycock Center for Creative Collaboration in the Arts, and the Kennedy Center for International Studies, to write and direct a broadcast-length documentary called Sou da Bahia (I’m from Bahia) about art and Afro-Brazilian identity in Northeastern Brazil. He also co-curated a multiple medium art exhibit by the same name to accompany the film’s television premier throughout the U.S. and Latin America. In 2011, after a year living abroad in China, Jensen was accepted to Stanford University's MFA Program in Documentary Film & Video where he received the Carmen Christensen Fine Arts Fellowship. He also received graduate fellowships to attend The Robert Flaherty Film Seminar (2012), the Telluride Student Symposium (2013), and the annual University Film & Video Association (UFVA) Conference (2013). Within Stanford's program, he produced and directed the following documentary and experimental short films: Out of Body (2011), Between Land and Sea (2012), ALPHA & OMEGA (2012), and White Earth (2013). The films have since played at major festivals throughout the United States including Napa Valley, DOC NYC, Palm Springs ShortFest, Mill Valley, and NextFrame. ALPHA & OMEGA was also a finalist in the Student Academy Awards. White Earth was a national recipient of the Carole Fielding Student Grant and was screened at the 2014 Slamdance film festival. Jensen received his Master of Fine Arts from Stanford University in 2013. After graduating, Jensen was a finalist for the International Documentary Association, David L. Wolper's Student Documentary Award, with his film, Between Land and Sea. In 2014, Jensen was awarded the Jury Special Mention for Cinematography in a Documentary Short for White Earth, screened at the 2014 SlamDance Film Festival. White Earth also received the Full Frame Jury Award for Best Short at the Full Frame Documentary Film Festival in Durham, North Carolina. Jensen also won second place in the Student Academy Awards in 2014 in the documentary category for White Earth.

This Christmas eve marks 100 years since a Christmas truce took place on Flanders Fields in Belgium during World War I. BYU students collaborated to write, produce, photograph, edit and compose for a video to commemorate the event. The video is hosted by the nondenomenational, interfaith group Faith Counts. 'The story of The Christmas Truce of 1914 has been told and retold over the past century, and deservedly so,' said Faith Counts spokesperson Kerry Troup. 'It is a true story of how faith has the power to bring hope, even in the darkest times. The video that the students of BYU, one of our many faith partners, have produced showcases this story in a beautiful, creative way that we know others will enjoy and hopefully share.' Graphic design and animation students used original photography from that day in 1914, enhancing and adding motion in the video. Film students spent time in Belgium shooting the video from current-day Flanders Fields earlier this month. The BYU Men's Chorus composed and sang a special arrangement of Silent Night, a song that was sung during the Christmas truce. “FaithCounts works with a variety of content creating partners from many faiths,' Troup said. 'We’ve been very impressed with the BYU students’ creativity, professionalism and ability to give voice to stories of faith in profound and innovative ways.” The project was coordinated and organized at BYU through the Laycock Center for Creative Collaboration, with the cooperation of Don Mullan, creator of the Christmas Truce and Flanders Peace Field Project. Download the BYU Men's Chorus Silent Night soundtrack Play the BYU Men's Chorus Silent Night soundtrack See more at BYU News>>>>

A YouTube series created by a BYU Theatre and Media Arts professor and alumnus is receiving recognition in festivals in Utah and throughout the country. “Pretty Darn Funny,” created by Jeff Parkin and Jared Cardon, is a web series sponsored by Deseret Book. The comedy has led the charge as the first Church-sponsored entry into scripted entertainment that has since yielded shows like “Studio C” and “Granite Flats.” It recently was nominated for 10 awards at the 3rd Annual Filmed in Utah Awards, where it won three: Best YouTube Channel, Best Ensemble Cast and Best Director. Parkin, the series’ director, said that he and many other colleagues wanted to create a show that anyone could watch and enjoy. “We hear from a lot of people that they watch it as a family, which is something that makes us really happy–families watching entertainment together,” Parkin said. The show recently finished its second season. The first season centers on Gracie Moore, played by Lisa Clark, a mother who forms a comedy troupe with local women to provide a clean venue for families to be entertained. The second season focuses more on Moore’s relationship with her family–ups and downs, and typical confrontations as well as successes. “I think we and Deseret Book are interested in telling stories about normal people and the fact that we makes mistakes–that it’s normal and it can be funny–instead of getting caught up in perfectionism,” Cardon said. “Laughing at your mistakes is good, and it’s healthy,” Parkin added. For the first season, BYU offered students an opportunity to work the series in exchange for university credit, and around 75 TMA students participated. For season two, about 95 percent of the current cast and crew are either BYU alumni or BYU students. The series has also produced three parody music videos. “Downton Abbey Rap,” “The Hunger Games: Moms vs. Kids!” and “Mom Footloose” have over 341,000 YouTube views combined. Though the series is targeted at an audience of LDS moms, the series gets exceptional engagement with nearly 700,000 views on its channel. Parkin and Cardon both agree that comedy can be family friendly and still be hilarious. “Even though the show is made in Utah and is sponsored by an LDS company, we continue to get lots of positive feedback from fans of divers backgrounds and faiths,” Cardon said. “It’s a great representation of who we are at BYU and as members of the Church.” Watch Pretty Darn Funny for free at www.youtube.com/user/prettydrnfunny Awards & Nominations (Wins are in Bold) Filmed in Utah Awards: 10 Nominations, 3 Wins

BYU DEPT. OF THEATRE AND MEDIA ARTS and STUDENT FILM ASSOCIATION PRESENT FINAL CUT FILM FESTIVAL April 11–12 Pardoe Theatre This student-produced, student-created film festival features a collection of the best student-made fiction films, documentaries, commercials, animations, and more. Two separate programs will be featured: Program A: April 11 at 6:30 PM and April 12 at 8:30 PM Program B: April 11 at 8:30 PM and April 12 at 6:30 PM The awards ceremony will take place at 10:15 PM on Saturday, April 12, following the 8:30 PM screening of Program A. Tickets are not required for the awards ceremony, but tickets are required for the 8:30 PM screening. Program A (Fridal at 6:30 and Saturday at 8:30) Belfast and Furious The World Is Our Campus Christmas in L.A. Headliner Turn to Stone Beehive Stories: Morgan County Brita Spec Ad Not Kabob Bothered Brainsaver Christmas in L.A.: Behind the Scenes Harmonica Good Luck Don’t Wake up with a Hook For a Hand Without a Rope Program B (Friday at 8:20 and Saturday at 6:30) Ice Hotel “Arrows” Our Community Wilhelm Scream Ice Hotel “Arrows” Behind the Scenes Weeping Historical Fencing: Franco Belgium Beehive Stories: Kane County Adpot a Cat Wyrm Laerd Your Cocoon and You Sides of a Camera Owned A Sticky Situation Ghosts on the Mountain

Few universities enjoy the international name recognition of BYU, as proven by the recent triumph in the Hyundai Lens of Loyalty film contest in December 2013. This fall, Hyundai Motor Company challenged 25 universities ranging from the west to east coast including heavy hitters such as Oregon, Michigan and Florida to the film contest. After submitting a one-page treatment for a film, seven finalists were chosen to produce the final product, and were funded $10,000. Of the finalists, BYU was awarded the additional $10,000 prize by a panel of judges for its recent five-minute film highlighting BYU football fans around the world. The film was then created, produced, and edited by an innovative student team at The Laycock Center for Creative Collaboration. The team included students from all disciplines, including advertising, film and music. Students Dustin Locke headed the effort as advertising director, with Layne Russell as film director. The aim was for students to showcase football-related traditions unique to their school, according to a press release by Hyundai Motors. “We thought about it and unfortunately BYU can’t compete with tailgating,” explained Locke, advertising major. “But the one thing that sets us apart is reach and the fact that we bring a lot of people to away games.” The idea then developed to let the fans speak for themselves about their passion for BYU. “We have a uniquely true world-wide following here at BYU,” said Jeff Sheets, director of The Laycock Center. “We then cross-sourced and looked for the most unique and insightful fans to be featured.” Fans from as far away as Hawaii, London and South Africa were featured in the short film. One man, a foot cancer amputee living in Barcelona, Spain, proudly wears his BYU emblazoned prosthetic to show he bleeds blue. Another couple in Hawaii installed one of the first satellite dishes on the island in order to see the BYU football games. They then proceeded to invite their neighborhood to watch the Cougars fight their way to victory over the years. “It was a cool experience for us to go across the world and talk to BYU fans. I don’t get to play on the BYU football field, so it is cool to do something for the team,” commented Locke with a wry grin. Incredibly, the team put together the entire production, from recruitment of fans to editing in only two and a half weeks. Students worked night and day to put together the film, while scrambling to get homework done between traveling around the world. The dedication in these un-paid students embodies the mission of the Laycock Center to facilitate a collaborative environment for creative ideas and stunning talent. As Vanessa Mckenna, advertising major, excitedly exclaimed, “It’s all about collaboration!” and a literal love of the game on and off the field.

Film Maker and Projection Designer Alison Dobbins will be visiting Brigham Young University from November 20 to November 22 to present workshops and discussions on the integration of digital media with live performance. This is a great opportunity for new media artists, theatre designers, and live performance directors to hear about the growing field of projection design. The schedule of events available to attend are listed below. Alison is currently the head of Design and Technology and an Assistant Professor of Integrated Media Performance Design at Michigan State University. She received her M.F.A. in Digital Cinema from National University and her A.B. in Mathematics from Oberlin College. Alison is a motion graphics artist interested in documenting and exploring new ways of presenting creative activity as a projected performance art. Visit her website at TheatreBeans.com. Theatre and Media Arts Forum The World of Projection Design and Opportunities for Students in the Field Thursday, November 21, from 11:00 a.m. to 11:50 a.m. in the Nelke Theatre Open to students, faculty and staff. Come hear Alison Dobbins talk about what artists are doing with the integration of media and live performance, and how to get involved. Q & A Brown Bag Lunch with Alison Dobbins Thursday, November 21, from 12:00 p.m. to 12:50 pm in F-556 HFAC Open to students. Bring your lunch and have an informal question and answer discussion with Alison Dobbins about the life of a media artist and what ever else you would like to ask. Drinks and dessert will be provided.

The nominations for the Rocky Mountain Emmy awards were just announced this week and the BYU Theatre and Media Arts graduates and faculty received eight nominations. In the professional category, Brad Barber's Beehive Stories film, Iron County, was nominated. In the student category, Dante's Hamlet (produced by Brynn Zimmer and directed by Babetta Kelly) received five nominations; Dance (produced by Erin Anderson and directed by Eric Pasternak) received one, and Mr. Bellpond (produced by Nick Dixon and directed by A. Todd Smith) received one. The Rocky Mountain Southwest Chapter of the National Academy of Television Arts and Sciences (NATAS) will host its 2013 Rocky Mountain Emmy Awards Gala and Auction Saturday, October 19 at the University of Phoenix Stadium, in partnership with the Arizona Cardinals. The Rocky Mountain Southwest Chapter of the National Academy of Television Arts and Sciences is a membership organization dedicated to excellence in television by honoring exceptional work through the prestigious EMMY(r) Award. They are the only professional association representing television professionals from all disciplines of the industry, serving as the common meeting ground for individuals dedicated to advancing the art and science of television. The Chapter region serves Arizona, New Mexico, Utah, Wyoming and El Centro, California.

Annual student-produced, student-created film showcase The popular Final Cut Film Festival is returning to Brigham Young University Friday and Saturday, April 12-13, at 6:30 and 8:30 p.m. each night in the Pardoe Theatre, Harris Fine Arts Center. Tickets cost $5 and are available now at the Fine Arts Ticket Office,byuarts.com/tickets or (801) 422-4322. Final Cut is a student-produced, student-created film showcase sponsored by the Theatre and Media Arts Department in cooperation with the Student Film Association. Two separate programs, which feature alternate screening schedules so that everyone can see every film, will be featured both nights. “Program A” will be shown Friday and Saturday at 6:30 p.m., while “Program B” will be shown Friday and Saturday at 8:30 p.m. Visit BYUFinalCut.com for more information or contact Kyle Stapley, media arts administrative assistant, at (801) 422-4576 or kyle_stapley@byu.edu. Source: BYU News

March 4, 2013, Provo, Utah — BYUtv today announced that its first scripted series, Granite Flats, would fill the decade-long family friendly programming void when the original weekly show premieres on April 7, 2013. Set in 1962 Mountain West America at the height of the Cold War, the hour-long series introduces a new genre to the groundbreaking network’s diverse roster of original “see the good in the world” programming. The show — a suspenseful period drama with a twist of science fiction — reflects the network’s bold efforts to provide an underserved national audience with intelligent, inspiring content that stands out for its thoughtful examination of life’s complexities. Granite Flats is available in High Definition and is carried to more than 51 million homes on Dish Network, DirecTV and over 800 cable systems in every state of the country via cable and satellite. All content is additionally available via Internet streaming at byutv.org. “Ever since CBS aired the final episode of Touched by an Angel in 2003, there has been a large empty space where primetime family-oriented television used to be,” said Derek Marquis, executive producer of Granite Flats and Managing Director of BYUtv. “Our extensive market research, done all over the country, indicates that there’s a significant audience hungry for a dramatic series that families can watch together without concern about inappropriate subject matter. Granite Flats is targeted at that neglected demographic, although viewers outside the family market will enjoy it, too.” Granite Flats was produced, written and created by a team of top Hollywood and New York talent who have made some of the television and film industry’s most successful and long-running family-oriented entertainment offerings. With the crew’s vast collective knowledge of historical recreation and a specific familiarity with the look and feel of the period, the highly stylized show lets viewers travel back in time to Granite Flats, Colorado, 1962. “We’ve focused on every tiny detail of the set and performance to keep it all true to the era, from wardrobe and accessories to colloquial language and ambient sounds,” said executive producer and director Scott Swofford. Filmed entirely in Utah, in a variety of 1960s-era locations and at a Salt Lake City soundstage (the very same one used for Touched by an Angel), Granite Flats is an evocative portrayal of characters in small town U.S.A. during a time that was simultaneously unsettled and innocent. Based on actual little-known covert U.S. military operations, which delve firmly into the realm of science fiction, the story echoes the tensions and fears that were uniquely a part of that moment in our nation’s history. Granite Flats tells the story of a recently widowed single mom, Beth Milligan, and her 10 year old son Arthur, who move from California to the rural town of Granite Flats, Colorado to start a new life after the untimely and mysterious death of their Air Force pilot husband and father. From the moment of their arrival at the military base where Beth will be employed as a hospital nurse and Arthur will get a post-tragedy restart on life, the wholesome community is quickly revealed to be much more complex than at first glance. Standing alone outside on his first night in Granite Flats, Arthur is the sole witness to a fiery object hurdling across the sky, landing in the nearby hills. Is it a comet, like the budding young scientist believes, or something far more complicated? The spiraling consequences of what Arthur sees and the subsequent explosion that sets the stage for the plot to unfold propels Granite Flats into motion. Under the town’s wholesome surface, a sinister element is brewing that will challenge the faith and humanity of the show’s quirky characters, threaten to shatter any residual innocence left from the past decade and reveal the ubiquitous fear of nuclear attack which defined that era. “The show will appeal to an audience that wants to be absorbed into a well-crafted television series with exquisite period art direction, tight plot twists, scene intrigue, mystery and romance,” said Swofford. “As the show progresses, it tells a rich and complex story based on little-known documented events from an ethically disputable chapter in United States military history. Because Granite Flats is serialized and not just episodic, the plot grabs a hold of viewers’ imaginations and carries them through the season.” Source: graniteflats.com/press

The BYU Film Committee announces a call for proposals for the funding of film and television projects. Committee objectives, proposal guidelines and applications are posted on the College of Fine Arts and Communications website under the grants section (cfacbeta.byu.edu/departments/college/student-funding). The winter semester application deadline is Oct. 15, 2010. For more information, visit the website or call Rebecca Ott at (801) 422-8611. Source: BYU News

The Book of Jer3miah is a groundbreaking web series and Alternate Reality Game created by 2 professors and 30 college students at Brigham Young University, with a budget of only $6,000. Dubbed “a spiritual thriller” by its creators, it is the first university-sponsored web series, as well as the first Latter-day Saint themed web series. Merging short films, video blogs, social media and an interactive mystery, “The Book of Jer3miah” provides viewers a fully immersive transmedia experience. All of this revolves around Mormon college student Jeremiah Whitney, who reluctantly accepts a charge to protect a mysterious Meso-American box, making him the target of a terrifying conspiracy. Source: CFAC Website

by James V. D'Arc On Friday, Nov. 21, 'The Nun’s Story, ' a classic film starring Audrey Hepburn that was nominated for eight Academy Awards, will be shown at 7 p.m. in the auditorium of the Harold B. Lee Library at Brigham Young University. Admission is free, but early arrival is recommended because seating is limited. Doors open at 6:30 p.m. No food or drink is permitted in the auditorium. Children ages 8 and over are welcome. BYU dress standards apply. James D’Arc, curator of the BYU Motion Picture Archive, will introduce the film. Taken from the best-selling novel by Kathryn Hulme, 'The Nun’s Story' is based on the true story of a young Belgian girl who enters a convent and then struggles with her conscience over the commitment that she made. Director Fred Zinnemann ('High Noon,' 'Oklahoma!') said that the story is about 'an individual who is trying to follow his own, personal conscience against all kinds of odds; it applies equally to a purely interior dilemma, where the conflict of conscience is not directed against an opponent, but rages within the soul of the individual himself.' 'Through the radiant-eyed Miss Hepburn, ‘The Nun’s Story’ firmly details and reveals the effects of this rigorous education on one sensitive young body and soul,' wrote critic Bosley Crowther in the New York Times. 'In the role of the nun, Miss Hepburn is fluid and luminous. From her eyes and her eloquent expressions emerge a character that is warm and involved.' Audrey Hepburn, in preparing for her role, was coached by Marie Louise-Habets, on whose life 'The Nun’s Story' was based. Hepburn received an Academy Award nomination for her performance, and both Zinnemann and the picture were nominated as well. The supporting cast includes Dean Jagger, Peter Finch, Peggy Ashcroft and Edith Evans. 'The Nun’s Story' was filmed on location by Warner Bros. in Belgium and in the Belgian Congo. 'The Nuns’s Story' is from the permanent collection of classic motion pictures in the BYU Motion Picture Archive, housed in the L. Tom Perry Special Collections at Brigham Young University’s Harold B. Lee Library. The screening is co-sponsored by L. Tom Perry Special Collections, the Friends of the Harold B. Lee Library and Dennis & Linda Gibson. Source: BYU News

by Brady Toone Now in its tenth year, the L. Tom Perry Special Collections Motion Picture Archive Film Series promises a diverse offering of classic films at Brigham Young University. Screenings will take place in the Harold B. Lee Library auditorium on the library's first level. Each film begins at 7 p.m. Doors open 30 minutes prior to each screening. Admission is free and guests eight years of age and older are encouraged to arrive early to get a seat. The shows in the series are motion picture prints of films – not video – that come directly from the collections of film directors, actors and producers. These rare film prints have not been manufactured for more than 30 years, said James V. D’Arc, Special Collections curator of arts. “We’re here to share wonderful treasures in the L. Tom Perry Special Collections and to make them available to faculty, students and the general public,” D’Arc said. “Contrary to public opinion, these collections aren’t acquired to be locked up, rather, to be preserved for future generations and be reinvested into the intellectual and cultural community – to be used, appreciated, commented upon and written about.” Prior to each screening, an introductory lecture will give moviegoers the context of each film and the historical significance behind its story and production. Items from Special Collections pertaining to each film will also be on display. The films for this semester include: - 'Stagecoach' – Sept. 26 at 7 p.m. “Stagecoach” was the first of more than 40 films to be made in Utah’s Monument Valley. The copy of the film that will be shown belonged to producer Merian C. Cooper, whose papers are kept in Special Collections. Starring John Wayne and Claire Trevor. 1939. - 'Invaders From Mars' – Oct. 24 at 7 p.m. A cult classic, “Invaders From Mars” was one of the first films of the modern science fiction genre. Filled with paranoia, spaceships and giant green men, the film echoes growing concerns of the time surrounding the spread of communism. Starring Jimmy Hunt, Helena Carter and Arthur Franz. 1953. - 'The Charge of the Light Brigade' – Oct. 17 at 7 p.m. One of the most well-known adventure films of the 1930s, “The Charge of the Light Brigade” was among the first projects of celebrated film composer Max Steiner. In his honor, the film score has been re-recorded and will be released the evening of the screening. Starring Errol Flynn and Olivia de Havilland. 1936. - 'The Nun’s Story' – Nov. 21 at 7 p.m. A compelling portrayal of faith on film, Audrey Hepburn’s performance as a young nun striving for a career as a nurse earned her an Academy Award nomination. Starring Audrey Hepburn, Peter Finch, Edith Evans and Peggy Ashcroft. 1959. - 'The Bishop’s Wife' – Dec. 5 at 7 p.m. Robert Nathan’s 1928 novel is brought to life by director Henry Koster, whose collection is preserved in Special Collections. The music and papers of Academy Award-winning film composer Hugo Friedhofer, who wrote the score for this movie, are also in Special Collections. Starring Cary Grant, Loretta Young and David Niven. 1947. For more information, contact Norm Gillespie at (801) 422-2985 or norm_gillespie@byu.edu. Source: BYU News