media arts

The town portrayed in the Sundance premiere of The Killing of Two Lovers is so small that David, who is staying at his father’s home while he and Nikki try to figure out if their marriage is salvageable, easily can see everything going on in the lives of his wife and four kids in the home just down the street. Directed by Robert Machoian, a photography program faculty member at Brigham Young University in Provo, this feature-length narrative offers a superbly crafted, beautifully filmed story about how the difficulties of asking for space to sort things out in a marriage are magnified enormously in a town as small as the one the director chose for the film’s production. Selected for the festival’s NEXT category, the film shines in performances that capture the simmering tensions and spoken words that could derail any good faith intention of reconciling problems in a marriage. And, Machoian – with an impressive, understated, elegant choice of mise-en-scène – gives the viewer the utter irony of the notion of asking for space in a small central Utah town set against an impressive mountain range (although there is no card title specifying the location). The film was supported by the Utah Film Commission. Read the full story by Les Roka at theutahreview.com.

Robert Machoian Graham has seen four of his past films make it to Sundance. The latest marks the first time one of his full-length films has been accepted.

https://vimeo.com/295876694 BYU’s highly esteemed Center for Animation became even more reputable when the short film “Grendel,” directed and produced by BYU animation students, recently won its sixth Student Academy Award. This year, the Student Academy Awards competition received a total of 1,615 entries from 255 domestic and 105 international colleges and universities. Only 16 entries received an award. Student director Kalee McCollaum and student producer Austin Rodriguez worked with approximately 40 students to make this film a reality. Thousands of hours went into the project which was supervised by professors Kelly Loosli and R. Brent Adams. The story of “Grendel” is a reverse telling of the classic Beowulf tale where Grendel, the friendly monster in the film, is joined by rowdy Viking neighbors who harass him. He slowly starts to retaliate until he realizes he’s the one who has become the monster. This realization spikes a change in character as he chooses to help save the Vikings from other creatures. Read more at news.byu.edu, sltrib.com or usatoday.com

In February, BYU media arts major Nathan Young was playing Dungeons and Dragons with some friends when one suggested that Young start a role-playing game (RPG) show and take on the role of Dungeon Master. Young said most of his friends laughed it off, but he stayed up all night thinking about the idea. Over the next few months, Young rounded up volunteers from the media arts major to help him with this project. Young said since the idea for the web series was sparked in February, all the grant deadlines had already passed. “We had no budget. Fortunately, we were able to scrape together enough willing people who think the idea is cool from all over campus to help put this together,” Young said. Young’s show ‘Good Luck, Have Fun, Don’t Die’ was live-streamed on July 18 through Youtube. Read the full story at universe.byu.edu.

BYU Department of Theatre and Media Arts professor Benjamin Thevenin and alumnus Max Johnson create podcast to discuss societal and political issues in constructive ways BYU professor Benjamin Thevenin and TMA graduate Max Johnson hoped to open a larger conversation about diversity and issues faced by marginalized communities when they created their podcast “Movies as Mirrors.” “We've been trying as faculty in the media arts program to try to integrate more talk about identity, politics, race, class, gender, and sexuality into our curriculum,” said Thevenin. “I think we've made some progress in that area — but we could be doing a much better job of preparing BYU students to engage in effective ways in these conversations.” In order to more fully open the conversation, Thevenin and Johnson invite a guest to each podcast to talk about a movie of their choosing. Most guests are people from Thevenin’s classes, colleagues at BYU and others they know who are passionate about what they think a movie has to say. “We're not particularly interested in talking about what we have to say about these movies,” said Thevenin. “We wanted the podcast to be an opportunity for us to hear what others have to say about their experiences — how the movie resonates with them.” Read the full story at tma.byu.edu.

BYU media arts student Aurelia Berryhill filmed a music video, “Chronophobia,” after receiving TMA student grant funding. While Aurelia Berryhill was applying for the media arts major at BYU in Winter 2016, she was surrounded by questions and uncertainty in her life. She felt that the fear the questions had caused was holding her back from many opportunities. Berryhill envisioned creating a video about these inner monologues for her media arts application but quickly realized she did not yet have the skills or resources for this project. Nearly three years later, the video she dreamed of creating came to life because of the TMA student grant program. This program — hosted by the Department of Theatre and Media Arts and funded by Mary Lou Fulton — sponsors student projects to help them gain experience outside the classroom in their craft. “I knew that this opportunity was the only way I could make this dance video that had been in my head for two years come to life,” said Berryhill. While Berryhill had a theme in mind but no specific vision, she left a lot of the elements of the music video up for interpretation by the dancers, director of photography and composer. “Their unique voices came through and were seen in the video. I loved the collaboration aspect of this program,” said Berryhill. “I learned a lot through the process of making this project. I learned that collaboration will make one’s vision come to life more than trying to do it all alone.” Read the full story at tma.byu.edu.

BYU Department of Theatre and Media Arts grad Jared Jakins and his wife Carly win Best of Show and Utah Short Film of the Year for “El Desierto”

Keynote speaker Mike Rugnetta will address the possibilities and positive use of new media

Convocation for the College of Fine Arts and Communications will take place at 11 a.m. on August 17

Howie Burbidge’s senior project focuses on how dying isn’t losing

Cameron Babcock chose the media arts major because he loves storytelling. As a freshman, Cameron took an Intro to Film class that helped him understand the power cinema can have in telling stories and creating empathy in the viewer. “Film is an incredible medium to tell any type of story,” Babcock said. “Through film I have learned a lot about life and relationships.” Babcock also met his wife in the film program, which he listed as his most meaningful experience at BYU. Babcock is applying to graduate school to receive a master's degree in film production with an emphasis in directing. He plans to teach film at a university. The TMA program chose to produce Babcock’s script for the collaborative senior capstone. Babcock was able to direct the production titled “Hey Brooklyn.” It’s the story of a 8-year-old girl, Brooklyn, who tries to raise $700 for her single mom before her family is evicted from their home. The story was based off of Babcock’s childhood experiences and was recently finished with plans to submit it to several film festivals. “The experience was priceless. I improved as a filmmaker in many ways. I learned being an artist can be so vulnerable,” Babcock said. “When you write and direct something so close to home, you feel like you’re throwing your heart right on the screen and hoping that people will take it how it is.” Some of Babcock’s previous work: Spit Take https://www.youtube.com/watch?v=tVBSGEKNIu0&feature=youtu.be We the Little Engines https://www.youtube.com/watch?v=LQpjm_S4pOs&feature=youtu.be Promo for Divine Comedy https://www.youtube.com/watch?v=82EvunRslA8 How did your professors impact your education? “The faculty in the film program are my mentors and friends. They have taught me not only about the history, theories, and practices of film but also what it means to be a hard working, supportive person in life.” Movie title for your life: “‘An Okie Grown Up,’ because it would be a documentary of my childhood and teenage experiences.” Unique superpower you wish you had: “Super vision because I wouldn’t need my glasses anymore. They’re generally dirty anyways.” What is the legacy you hope you left for BYU? “Hopefully I left a legacy that says it's worth it to work hard and to stay humble.”

The BYU Department of Theatre and Media Arts and BYU Student Film Association present Final Cut, the student-produced, student-created film festival on Thursday and Friday, Oct. 13-14, in the Harris Fine Arts Center. Final Cut showcases a collection of the best student-made fiction films, documentaries, commercials, animations and more. The festival includes two programs labeled Program A and Program B, which feature different film selections. Both programs will be shown once each evening of the festival at 7 p.m. and 9 p.m. Separate tickets are required for admission to each program screening and are discounted for BYU students. Immediately following the final screening on Friday, Oct. 14, an awards ceremony will take place, with prizes for best entries in categories including fiction, non-fiction, commercials, animation and the audience favorite. Past Final Cut films can be viewed at studentfilms.byu.edu. Writer: Preston Williamson See more photos. >>>>>> Dates & Times: Program A: Oct 13, 7 p.m. & Oct 14, 9 p.m. Program B: Oct 13, 9 p.m. & Oct 14, 7 p.m. Location: Pardoe Theater, Harris Fine Arts Center, BYU Price: $4-5 Tickets: Available in person at the BYU Ticket Office in the Harris Fine Arts Center or Marriott Center, by phone at 801-422-2981 or online at byuarts.com

Media Arts student Willem Kampenhout won Best Emerging Director at the Other Worlds Austin Film Festival for his film The Surface. The film also won Best Emerging Production Design, attributed to Ashley Cook. Kampenhout started making films when he was only six years old and used his personal experience growing up as the inspiration for The Surface. In December of 2013 he spent winter break watching several crime drama series, which sparked the question, “How much would one risk on behalf of their family?” “I began writing the story of a mother wandering the apocalyptic wasteland in search for spare parts for her cybernetic husband and daughter whilst avoiding a mechanically mutated monster,” Kampenhout said. From this, he developed the story of a mother who risks everything to save the life of her son. The film follows the mother as she searches for a new power source to help her dying son. After being tricked into buying a bad power cell, her only hope is to venture to the blighted surface and steal the infinity cell from one of the monstrous “tainted” creatures. The whole film came together in about two years from start to finish. Kampenhout mentioned the greatest difficulty behind creating a film was being a student and working with other students. “We have obligations other than our projects,” Kampenhout said. “Because it is not an income source, we have jobs as well.” Other than a lack of time, they faced a lack of experience that required more time to produce quality work. Despite these challenges, Kampenhout enjoyed working with other talented and eager students who worked on the music, sound design, art, cinematography and acting. He believes that real joy comes when someone other than oneself gets behind the story and makes it better. They entered the film in Other Worlds Austin, a film festival featuring only Sci Fi films, where he won the award. The Surface also won Best Student Film at the Miami International Science Fiction Film Festival and has currently been accepted into Dam Short Film Festival (Nevada), Original Narrative FIlm Festival (Dubai) and Film Quest (Salt Lake City). “We are building an audience for the film, and seeking out distribution and investors to fund a feature film version of it,” he said. Visit the film’s Facebook page for the trailer and updates about the film. https://www.facebook.com/TheSurfaceFilm

The BYU Department of Theatre and Media Arts and the BYU Student Film Association present the Fall 2015 Final Cut Film Festival in the Pardoe Theater, Harris Fine Arts Center, on Oct. 22 and Oct. 23 at 7 p.m. and 9 p.m. Tickets are $5,with discounts available for students, and can be purchased in person at the BYU Ticket Office in the Harris Fine Arts Center or Marriott Center, by phone at 801-422-2981 or online at byuarts.com. The BYU Final Cut Film Festival is a student-produced, student-created film festival. The festival will screen a collection of the best student-made fiction films, documentaries, commercials, animations and more. The purpose of this festival is to encourage students to create and watch meaningful and creative media. Festival submissions are open to all current BYU students. Two programs, each about 75 minutes long, will be screened each night, with an awards ceremony after the last screening on Friday. Program A: Thursday, Oct. 22, 7 p.m. Friday, Oct. 23, 9 p.m. Program B: Thursday, Oct. 22, 9 p.m. Friday, Oct. 23, 7 p.m.

'Peace Officer,' a new documentary directed and produced by BYU faculty Brad Barber and Scott Christopherson, received a 3.5/4 star review by Sean P. Means of the Salt Lake Tribune this weekend. Read the review here. According to TMA's The Sound and the Fury: TMA faculty Brad Barber and Scott Christopherson's documentary, Peace Officer premiered in Utah on Friday at the Tower Theatre. Christopherson reported that the theatre was sold out for the premiere, with about 300 people attending. Because the story takes place in Utah, Christopherson felt like this was one of the most responsive crowd he’s experienced. On Saturday, the Provo police chief came to see the film. After the premiere, media arts alums Julian Acosta, Cole Webley, and Jared Harris (St. Cloud’s) threw an after-party. The film will screen at the Tower Theatre, 876 E 900 S, Salt Lake City, this week at 4:15 pm and 7 pm. The film will also show in Salt Lake’s Megaplex this weekend.

The latest Mormon feel-good movie, “Once I Was a Beehive,” is proving to be enjoyable for moviegoers both in and outside Mormon culture.The film tells the story of Lane Speer (Paris Warner), a 16-year-old girl whose father dies and mother remarries a Mormon. Speer goes on a week long, Bible-themed camping trip with other Mormon young women while her mom and stepdad are on their honeymoon.The film was released in select Utah theaters on Aug. 14.“We have been totally flattered and over the moon at the reception,” film director and writer Maclain Nelson said. “We knew we had something special, but to see people really grasp to the story, people who are going to see it for a second or third time, as a filmmaker that feels amazing.”See more at the Universe >>>>>> By Kjersten Johnson PHOTO: Lane Speer (Paris Warner) and Nedra (Barta Heiner) whittle wood in a scene of the film. The film is receiving good reviews from members of other faiths.

Incoming BYU faculty Robert Machoian’s film God Bless the Child was featured in The New York Times, Wall Street Journal and Filmmaker magazine and was made an official selection for South by Southwest. The film follows a family of five children ranging from age one to 13 years old over the course of a day after their mother abandoned them, forcing the eldest and only girl to handle her four younger brothers. Although the film is scripted, it has the style of a documentary. A scene from ‘God Bless the Child’ - PHOTO: ROBERT MACHOIAN Machoian’s film has a five star rating on iTunes and glowing reviews in The New York Times and the Wall Street Journal. The New York Times praises the filmmakers for using their own children as the actors and letting their internal dynamics drive the action instead of creating characters, stating “their blooming personalities come through with a warm and wonderful immediacy.” Filmmaker magazine sat down with Machoian and his co-director Rodrigo Ojeda-Beck to discuss the challenges of making this film. Read more about the interview here.

BYU faculty Brad Barber and Scott Christopherson directed and produced Peace Officer, a documentary about the militarization of American police. The documentary follows the story of a former sheriff who started his state’s first SWAT but struggles 30 years later with what it has become. He investigates officer-involved shootings, as well as the shooting of his son-in-law, to discover the truth behind seemingly unrelated events. The film won the 2015 Documentary Feature Competition Grand Jury and Audience awards at the South by Southwest Film Festival, the David Carr award and Audience Award Best Documentary Feature at the Montclair film festival, the Kathleen Bryan Edwards Award for Human Rights at the Full Frame Documentary Film Festival and is featured as an exclusive on Apple trailers. The film will have its theatrical premieres in New York on September 16 and Los Angeles on September 18. After the premieres, the documentary will open in select cities. The film teaser is featured on Apple Trailers.