Photo & Lens Based Design

Kiana Bates ‘22 Offers Advice and Shares Recent Photography Projects

Amanda Haag’s Photography was Displayed in Gallery 1313 As Part Of the 2024 Photography BFA Showcase

Vietnamese American Artist Anh-Thuy Nguyen Discusses Her Artwork and Experiences in Design

Students Across the College of Fine Arts and Communications Have Accepted the Invitation to Experience Learning Outside the Classroom

Students Malachi Wilson and Janessa Lewis Joined Forces With Faculty Member Christopher Lynn to Display Art by Nancy Rivera and BYU Alum Jacob Haupt

This new photography exhibit showcases the work of both Norwegian and American photographers—Rowley shares the surprising connection between the two

These photographs document an important piece of Utah’s history from the Great Depression to World War II

Madison Casagranda submitted photos from her project, The Black Stories Project, to Communication Arts magazine and placed as a finalist

EXHIBITION OVERVIEW A new exhibit will open up in the Museum of Art starting October 30 Victoria Sambunaris creates large-scale photographs that document the intersections of the natural and manmade within the American landscape. Each year, Sambunaris embarks on a lengthy journey on the road, using a large format wooden field camera to document what she encounters. With her photography, Sambunaris tries to capture the way in which humans inhabit the landscape, as well as highlight the beauty of the land and human interaction with it. Combining in-depth planning and research with a laborious mode of shooting and developing—sometimes waiting days for the right conditions—Sambunaris’s photographs communicate a deeply layered sense of place. Since 2002, Sambunaris has come to Utah numerous times to photograph the vast, complex, and beautiful terrain. This exhibition focuses on her photograph of Utah and the Western landscape. The large scale of her work simulates the actual environment, allowing minute details to materialize, subtle colors to emerge, and the viewer to feel as if they are standing in the place of the artist. This exhibition was made possible through the generosity of the: Marriott Daughters Foundation Yancey Richardson Gallery, New York The Lannan Foundation, Santa Fe, New Mexico Andrea and Patrick Lannan Michael Reynolds James Kelly Contemporary View more details at moa.byu.edu.

Emma Squire is a freshman at BYU with a passion for telling new, unique stories BYU freshman Emma Squire is a photographer, a storyteller and a finalist of the Fujifilms Students of Storytelling competition. Squire’s photo series about the history of prosperity is now being displayed on her own personal Fujifilms profile page. “The idea came during an art history class. I noticed in some paintings that items which symbolized wealth a couple hundred years ago are much cheaper and easier to come by today,” Squire said. “It started with just one specific image in mind, but it soon turned into a series.” Squire’s photo series was done in two parts. First, she researched different periods of history in various countries to identify items that portrayed wealth and status. She then photographed her interpretation of the modern equivalents of those items. Then, Squire shot images of modern prosperity, after interviewing individuals to get a feel for current symbols of affluence. “My art is either telling a story or trying to make a statement. I want the viewers to be caught up in the narrative, or to reflect on the message the image is trying to convey,” Squire said. Squire is one of 600 students to submit a project proposal to the contest. The 30 applicants who were chosen each received equipment to use in the preparation for their photo stories. Fujifilms held this contest as a way of discovering America’s next great storytellers. “I hope to be able to create work that I care about and can make a living off of. I don’t know what that looks like yet, but my ultimate goal is to create meaningful art that I’m proud of,” Squire said.

Photographer Kendal Bryan seeks moments of quiet movement in her images

Borja’s winning piece “Fish Out of Water” was inspired by her experience adjusting to a new culture

“There were puffins flying off the edge of the cliff,” says photography major Sylvia Busteed Magleby (BFA ’20), who worked feverishly to capture Múlafossur Waterfall and the Faroe Islands village of Gásadalur behind it, bathed in fading golden-hour sunlight. She carefully balanced her camera on the wooden stem of a fence to take the snap, bracing against the chilly seaside winds. “This image captures the magic of the Faroe Islands,” says Magleby. “I did not know such a beautiful place existed.” Read more at magazine.byu.edu

Schill — a South Carolina native — will graduate with a BFA in photography and a BA in sociocultural anthropology on April 24, 2020

Graduating photography student’s winning shot will be published in acclaimed Photo District News magazine

Raised in Moscow, Idaho, John P. Snyder (’99) was shaped by the landscape around him. “The hills of the Palouse region of Idaho are the residue of violent processes. Airborne dust from volcanoes, massive floods, and glaciation built soil that has become one of the world’s most productive agricultural areas,” notes Snyder. “I grew up looking out into the undulating hills and wondering, ‘What is out there?’” It’s a question the former BYU photographer is still trying to answer. After years of shooting images of BYU’s campus, people, and happenings (1984–99), including innumerable images published in this magazine, he moved back to Idaho in 2007 to explore the contours and preserve the spirit of his homeland. Read the entire article in BYU Magazine's Winter 2020 issue.

Robert Machoian Graham has seen four of his past films make it to Sundance. The latest marks the first time one of his full-length films has been accepted.

The Utah map is endowed with a significant number of scriptural monikers, some of which will be familiar to readers of the Bible while others are unique to the Book of Mormon. These are at the heart of Daniel George’s project, God to Go West. George is a professor of art at BYU who received his MFA from the Savannah College of Art and Design and his BFA from BYU-Idaho. For his project, he has photographed a score of locations in Utah that bear scriptural names given to them by early settlers from the Church of Jesus Christ of Latter-day Saints. Few of these black-and-white photographs are striking, the range of grays eschewing any sense of black so that shadows and highlights disappear or become negligible (George’s is definitely not Ansel Adams’ high-contrast vision of the West). Benefit of the doubt suggests this is not due to a lack of skill but to a purposeful strategy — a desire to emphasize the semantic rather than the aesthetic nature of George’s project. Read the full story by Shawn Rossiter at artistsofutah.org.