living legends

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The video series provides information about the history behind Latin American, Polynesian and Native American danceThe choreography and regalia featured in BYU Living Legends productions are derived from revered histories and origins. In an effort to share these legends, the company has initiated a new video series explaining the dances and regalia.“We not only want to further explain the legends or origin stories of the dances,” said Shanoah Zendejas, the Living Legends’ social media manager and assistant to their tour coordinator, “but also want to explain the significance of what the dancers wear. Living Legends has had the unique opportunity to help educate people from various backgrounds about the cultures they represent. We wanted to share that same opportunity with our online audience, whether they have the opportunity to see the show live or not.”The idea for this explanation video series was conceived a few years ago during the company’s tour to Tonga, New Zealand and Samoa. A member of the group suggested they do a series explaining the dances, especially those that were not Polynesian, in order to connect their audience members who were less familiar with Latin American and Native American dance.Zendejas explained that the “Seasons” production has brief explanations for each dance during the performances, but there are deeper histories and stories connected to the choreography and regalia. The introduction of a video series has made them able to turn this desire into a reality. They produced their first video of the series, featuring the Native American Grass regalia and dance, this past November. “We were wrapping up Native American Heritage Month and had the opportunity to do a fun video for the Rock Your Mocs Movement, and that's when we started filming for the series,” said Zendejas.The grass dance is featured in the 'Season of Rebirth' section of “Seasons”. The story of the Native American Grass Dance is a story of healing. Because the New Year was just weeks away, and with the story in mind, the company members could not think of a better dance to start the series off with.“We also wanted to make sure that we explained the meaning of the regalia, or what the dancers wear. Everything has a purpose in Native American culture. That is why people wearing feathers and headdresses as costumes is such a big deal to Native Americans. Every part of the regalia and the way they dance has meaning to it. We wanted to honor and show respect to the Native American culture and dance.”Zendejas emphasized that a big purpose for this video series is to encourage young audience members to learn more about and understand their own culture. She shared that many members of Living Legends, and many youth, grow up not knowing much about their culture and the ensemble has provided a way for them to learn about their own culture and others as well. The company wants to encourage anyone and everyone to learn more about their culture and where they come from.“We want to explain more dances this year, and in years to come, to our audience,” said Zendejas. “Audiences can look forward to learning more about all of the cultures we represent and their people's history as well as more about the meaning of our numbers and why they belong in certain ‘seasons.’ In the next few weeks, we will be releasing a video explaining the Maori Haka that is performed in our show.”To follow the video series, follow BYU Living Legends on Facebook.

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Kyran Brown shares his highlights from the Living Legends Spring 2017 tour The BYU Living Legends presented their show “Seasons” during a three week tour in May throughout the Midwestern United States. They performed 11 shows across Kansas, Missouri, Illinois, Wisconsin, Minnesota, North Dakota, Iowa, South Dakota and Nebraska. Living Legends member, Kyran Brown, participated on the tour and was struck by the variety of audiences the ensemble performed for, “from the Rosebud Reservation in South Dakota and a Latino ward in Chicago to a well-represented Polynesian audience in Independence, Missouri.” “We were truly able to meet and befriend American brothers and sisters throughout nine states. After every show, it was a humbling moment to leave the stage and mingle with the audience as we were embraced with hugs and kisses on the cheek from entertained spectators. Some, with tears in their eyes, sincerely thanked us for coming to their town and sharing our talents with them.” Another meaningful experience for Brown was visiting the Liberty Jail Historic Site in Liberty, Missouri. While there, the Living Legends performed a song that they often sing during devotionals. He said, “While we were singing, the Spirit filled the room, which was accompanied by the testifying words of the song which talked about a humble prayer that the Prophet Joseph Smith expressed in order to overcome trials he frequently faced. “I remember the main vocalist who starts the song was overwhelmed with the Spirit for she had to stop and compose herself a couple of times before she was able to utter a line. By the end of the song, many members of the group had tears in their eyes, including myself, because the biggest emotion we want to share with anyone we come in contact with, is happiness.” For Brown, the tour was more than just performing. “Performing was actually one of the shorter events we did on tour. We conducted outreach events for different communities, performed service for Midwestern locals and laughed with host families who invited us in their homes. Being able to participate in stage set-up and take-down is another part of the tour that one would not usually consider as a time to turn to the Lord and serve those who technologically control the show for us. We are always supporting others, whether it is on stage or in public when we are exploring town sites. We love losing ourselves in service and we strive to do all we can to turn hearts.' To view more pictures and moments from their Midwest tour, visit the BYU Living Legends Facebook page.

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